Zuleikha Robinson Quotes
The only time a friend has ever helped me in the industry was how I got my first job - that was through Mike Figgis.
Quotes to Explore
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I'm constantly trying to find something that's different from me, whereas some actors do the same thing, again and again. That's not for me.
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I do movies that I would like to go and see. I think that's a good barometer of how I choose films. I like going to these movies. Our job is to make sure the audience gets their $16 worth. That's my job.
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Many of the songs on Undertow were written at the time Opiate came out.
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For the first two weeks of filming, I remember bristling at some of the occurrences on the set, none of which directly involved me. Then I surrendered to the environment, to Michael's method, and became much happier, even though no one knew what to expect.
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I live a half mile from the San Andreas fault - a fact that bubbles up into my consciousness every time some other part of the world experiences an earthquake. I sometimes wonder whether this subterranean sense of impending disaster is at least partly responsible for Silicon Valley's feverish, get-it-done-yesterday work norms.
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I like to work all the time and really immerse myself in the project.
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I never let anything stop me from doing what I want to do.
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The first time I ever recorded, which was into my boom-box, I was like, 'Wow, check that out.' It sounded great. The narcotic of it was so intense - it was pleasurable. I was like, 'You sound like a band.' Then I ended up spending the rest of my life trying to chase that initial high again.
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Many fans were surprised when they learned that the little girl in drama 'Stairway To Heaven' was me.
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I don't feel like sitting around doing nothing would benefit me.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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Black people were very angry with me for writing the book. A lot of people didn't believe me, or didn't want to believe me, and that used to really bother me. It was a very painful and difficult time.
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There are some seminal things that happened in the '70s for me: Billy Joel and Jackson 5.
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Instead of waiting until the holiday season - when mail solicitations flood in from worthy organizations - and making a flurry of gifts because this is the time of year to give, sit down and take stock. Identify your passion, learn about it, and direct your time, mind, and dollars to aligned causes and organizations.
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I think I've paid my dues. I've really put in a lot of time on set.
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I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
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At one time if you were a black writer you had to be one of the best writers in the world to be published. You had to be great. Now you can be good. Mediocre. And that's good.
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When I was little, my grandmother would take me to church with her, and she would introduce me to people.
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I don't know how to be a rapper. I just know how to be me.
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I think the more you expose yourself as a celebrity, the less interesting you are to watch in your work, because if you're putting yourself out there all the time, you're not holding anything back.
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The mind spends most of the time lost in fantasies and illusions, reliving pleasant or unpleasant experiences and anticipating the future with eagerness or fear. While lost in such cravings or aversions, we are unaware of what is happening now, what we are doing now.
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I think even before I knew I wanted to be a rapper, I wanted to be an entertainer. I was really into Michael Jackson as a kid.
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I haven't got a clue about how much I weigh. I do not own any scales. And I have noticed it creates an anger in people who are not skinny. People like to blame their insecurities on other people.
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The only time a friend has ever helped me in the industry was how I got my first job - that was through Mike Figgis.
