Zuleikha Robinson Quotes
The only time a friend has ever helped me in the industry was how I got my first job - that was through Mike Figgis.
Quotes to Explore
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I'm constantly trying to find something that's different from me, whereas some actors do the same thing, again and again. That's not for me.
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I do movies that I would like to go and see. I think that's a good barometer of how I choose films. I like going to these movies. Our job is to make sure the audience gets their $16 worth. That's my job.
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Many of the songs on Undertow were written at the time Opiate came out.
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For the first two weeks of filming, I remember bristling at some of the occurrences on the set, none of which directly involved me. Then I surrendered to the environment, to Michael's method, and became much happier, even though no one knew what to expect.
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I like to work all the time and really immerse myself in the project.
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I never let anything stop me from doing what I want to do.
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Many fans were surprised when they learned that the little girl in drama 'Stairway To Heaven' was me.
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I don't feel like sitting around doing nothing would benefit me.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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Black people were very angry with me for writing the book. A lot of people didn't believe me, or didn't want to believe me, and that used to really bother me. It was a very painful and difficult time.
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There are some seminal things that happened in the '70s for me: Billy Joel and Jackson 5.
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Instead of waiting until the holiday season - when mail solicitations flood in from worthy organizations - and making a flurry of gifts because this is the time of year to give, sit down and take stock. Identify your passion, learn about it, and direct your time, mind, and dollars to aligned causes and organizations.
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I think I've paid my dues. I've really put in a lot of time on set.
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I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
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At one time if you were a black writer you had to be one of the best writers in the world to be published. You had to be great. Now you can be good. Mediocre. And that's good.
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When I was little, my grandmother would take me to church with her, and she would introduce me to people.
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I don't know how to be a rapper. I just know how to be me.
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I've never really felt like a veteran. I've never felt like the guy who's like, 'OK, everyone needs to look up to me and respect me.' I've always just been one of the guys that people are excited to get in the ring with. That's all I want.
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Unless I am both capable of and willing to reopen the wound every time I write a song, if I choose to not look inside myself to write music, I'm really not worth being called an artist at all.
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We had so much fun in Ghana and they are really lovely people.
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My hope is that one day I'll be able to work and have a quieter life, but still a creative life.
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There are so many songs that I could not sing the way I wanted to. When such songs come on television or radio, I shut them off or leave the room.
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I only had one focus and one direction, and I knew where my spirit and heart lived, and it was in singing and dancing and acting, being that. I know a lot of young people dream that, but it's good that it worked out for me because it was all I ever wanted to do.
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The only time a friend has ever helped me in the industry was how I got my first job - that was through Mike Figgis.
