Gertrude Atherton Quotes
Quotes to Explore
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Technique in the minds of many is something rigid, something like a formula that you impose on the material; but in the best stories it is something organic, something that grows out of the material, and this being the case, it is different for every story of any account that has ever been written.
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There was also a hunger strike in front of the National Press Club, which seemed an odd place to have a hunger strike (a cocktail fast, maybe). Although the Bangladeshis were savvy enough to know to know that if you're going to pester journalists, don't go to where they work: You'll never find them there.
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Very few people have a natural feeling for painting, and so, of course, they naturally think that painting is an expression of the artist's mood. But it rarely is. Very often he may be in greatest despair and be painting his happiest paintings.
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An army which cannot be regularly recruited is a doomed army.
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When the mind's free, The Body's delicate.
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Love is the only shocking act left on the face of the earth.
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It's vital to have your own space so you aren't constantly in each other's pockets.
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Morally, however, we had had absolutely no choice but to abort our summit try to help Thor and Chantal get down the mountain. That’s why I find it so hard to stomach all the accounts in recent years—especially on Everest—of climbers ignoring others in trouble for fear a rescue effort would sabotage their own summit bids.
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You can stick a fork in Barack Obama. Politically, he's done. The main way we can screw this up is if we choose the wrong Republican.
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I painted a painting called 'Milk River' in 1963 Cows don't give milk if they don't have grass and water Tremendous meaning of that is that painters can't give anything to the observer. People get what they need from a painting. The painter need not die because of responsibility. When you have inspiration and represent inspirationThe observer makes the painting.
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I feel that I am much freer if I'm on my own, but I'm sure that there are a lot of painters who would perhaps be even more inventive if they had people round them... I find that if I am on my own I can allow the paint to dictate to me. So the images that I'm putting down on the canvas dictate the thing to me and it gradually builds up and comes along.
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No work which is destined to become a classic can look like the classics which have preceded it. In art, as in biology, there is heredity but no identity with the ascendants. Painters inherit characteristics acquired by their forerunners; that is why no important work of art can belong to any period but its own, to the very moment of its creation. It is necessarily dated by its own appearance. The conscious will of the painter cannot intervene.
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Writers and painters have a medium that can foster self-effacements. Actors haven't. An actor can't hide himself behind paper or canvas. If you're not there your art's not there. That's why we actors are often such self-centered objects.
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Strong, deeply rooted desire is the starting point of all achievement. Just as the electron is the last unit of matter discernible to the scientist. DESIRE is the seed of all achievement; the starting place, back of which there is nothing, or at least there is nothing of which we have any knowledge.
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Alexander Hamilton estimated portrait painters as thieves of time.
