Tana French Quotes
Both back when I was acting and now that I'm writing, I've always wanted the same thing out of my career: to be able to get up in the morning and do what I love doing.
Quotes to Explore
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As the scripts come in they are sent to the artists, and the artists are either very busy, or ready to start.
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I fought the best; I've never been afraid of anyone.
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I'm old enough to remember the end of World War II. On Aug. 14, 1946, a year after the Japanese were defeated, most newspapers and magazines had single articles commemorating the end of the war.
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I haven't read a review of one of my films for the best part of 10 years.
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I once went to one of those parties where everyone throws their car keys into the middle of the room. I don't know who got my moped, but I drove that Peugeot for years.
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First of all, returning from motherhood, I was looking for something lighter, and I wasn't as much attracted to Kate as I was to the relationship between the two people.
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Part of Michael's uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration.
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I really believe that when you're playing a character that everything is contained in the script. If I'm pulling from things from my own life, then I think I'm being disingenuous to the character and the story.
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The deadpan brilliance of John McCrea has been underrepresented in music since 2004, when Cake served up 'Pressure Chief.'
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In my experience an appreciative letter from a fellow writer means a lot.
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I never have a plan of what I am going to draw.
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If I only had a little humility, I'd be perfect.
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I can remember loving to recruit. I knew I was going to do my best. But traveling and recruiting doesn't appeal to me any more. It's not as much fun as it used to be.
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As a woman, I've learned that having a uniform of your staples or setting your look and saying what distinguishes you - like red lips or hair or whatever - leaves so much time for the rest of the day.
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You know, there's always someone in mind when I'm writing. You know, it's all comes from somewhere inside.
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You know, one of the things I like about this world, or at least I like about the way we're presenting this world, is these issues are terribly complicated - not nearly as black and white as we're led to believe.
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Most of us understand that innovation is enormously important. It's the only insurance against irrelevance. It's the only guarantee of long-term customer loyalty. It's the only strategy for out-performing a dismal economy.
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More or less, I am always saying, 'Let's do what has not been done.'
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The human being is born with an incurable capacity for making the best of things.
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I never leave anything until the morning. I put my jumpers, scarves, and shoes out the night before. You never know what is going to happen. You don't want to get stressed.
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The resistance is the voice in your head telling you to use bullets in your PowerPoint slides...It’s the voice that tells you to leave controversial ideas out of the paper you’re writing, because the teacher won’t like them. The resistance pushes relentlessly for you to fit in.
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'Southland' is very real; it's not about who found the hair in the bed. There are procedural aspects to it, but it's not about that.
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Both back when I was acting and now that I'm writing, I've always wanted the same thing out of my career: to be able to get up in the morning and do what I love doing.
