Zach Galifianakis Quotes
A fantasy of mine is to do a podcast that's Marcel Marceau and I, and you only hear me laughing at him and trying to figure out what he's doing.
Quotes to Explore
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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What they are doing is taking something that otherwise creates pollution and turning it into something useful.
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The physical part of comedy is as hard as a lot of action movies. It scares me, but in a way that I like.
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My dream part would be to play Mitt Romney's sarcastic black maid. We could call it 'Mammy & Me.'
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Here's the thing, for me at least: this is a huge genre now. It wasn't always so. Not so many years ago, it wasn't so. There is a tremendous diversity in fantasy today.
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One of the things that's really, really present in 'Between the World and Me' is, I am in some ways outside of the African-American tradition.
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Stranger, if you passing meet me and desire to speak to me, why should you not speak to me? And why should I not speak to you?
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I really don't have anything urgent to say, and I think you shouldn't write unless you have something urgent to say. Sometimes that troubles me, and sometimes I don't really care.
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The Web forces me to be disciplined and not to waste time – but before the Web was invented, there were plenty of opportunities to do that anyway.
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My camps are always ten weeks. That's what makes me comfortable.
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All the things that most kids hated, I loved. I loved that things were asked of me and that, much to my surprise, I was able to do them. I loved the 10 o'clock bedtime. I loved the responsibility.
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Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
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I'm not trying to be the next Dave Grohl or Phil Collins.
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I think 'In The Heat Of The Night' was one of the most influential films on me. Looking back now, I can see how influential it was on my screenwriting because here you have what looks to be a crime procedural, and it's actually a study in race and loneliness, and a perception of an era.
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I had no interest in being an actress what so ever, and when I was about 14 or 15, I was signed to a company in England. They owned a children's TV show which they put me in as a singer, and I was on the show for three years, and I left the show when I was 18 and started looking for a record contract.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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With epic fantasy, there is a tendency for it to be quintessentially conservative in that its job is to restore what is perceived to be out of whack.
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Generally the aesthetics of broadcast journalism seem to me to be incredibly primitive.
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If I saw my friend's boyfriend flirting with someone else, I would definitely talk to him about what I saw. I would want to give him a chance to explain. However, depending on how major the flirting was, I would probably mention it to my friend - just to let her know what's going on.
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Gold has intrinsic value. The problem with the dollar is it has no intrinsic value. And if the Federal Reserve is going to spend trillions of them to buy up all these bad mortgages and all other kinds of bad debt, the dollar is going to lose all of its value. Gold will store its value, and you'll always be able to buy more food with your gold.
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Promptly improve your accidents.
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I tell people that anything that could ever happen to you on stage has happened to me. My clothes have fallen off. I've fallen off the stage. I've gotten sick - anything.
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She wishes them not luck or money; they will have both, as much as they want, or is necessary. Instead she wishes them fearlessness in all things: in love, yes, but also in work, in expectation, in the leap from the high rocks, in looking back, and in forgetting.
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A fantasy of mine is to do a podcast that's Marcel Marceau and I, and you only hear me laughing at him and trying to figure out what he's doing.
