Tadashi Shoji Quotes
Quotes to Explore
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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I read comics and I did science, and never really put them together until I accidentally found myself in the middle of one.
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I want to be with those who know secret things or else alone.
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When I was 16, I filmed an episode of 'Full House' where my family goes to Disney World. I remember putting on baggy overalls just to hide my stomach. When I watched it, I was pretty disappointed and bummed out looking at myself... I didn't feel good about my own body.
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I met Arthur Ashe a few times. I know how important education was to him.
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My mom just understands about stuff. We have a really good trust, and she knows I can take care of myself.
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You know, children philosophize more than adults - and they are critical of adults.
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In fashion, we don't often know the prices. We don't have time to go into the stores.
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You can't hate Britney Spears because, you know what, no matter what Britney Spears been doing, she's still on TV.
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I pride myself on not being run of the mill. I don't want to be your umpteenth Fantine in 'Les Miz.'
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It is obvious that the monetary union among 17 very different European countries does not work. As an economist, I know that the Eurozone is not an optimum currency area, as defined in economic theory.
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Every story I create, creates me. I write to create myself.
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I did a play called 'On Golden Pond' in a dinner theater in Maine and then went to New York for a talent competition having put together a three-man juggling routine and some one-liners and I got myself an agent from that.
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If there are negative people around me, I just try to distance myself from that.
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I get 0.5 seconds to react to a ball, sometimes even less than that. I can't be thinking of what XYZ has said about me. I need to surrender myself to my natural instincts. My subconscious mind knows exactly what to do. It is trained to react. At home, my family doesn't discuss media coverage.
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I grew up taking care of the pigs. I love this country that, you know, somebody can do something like that.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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You know, I haven't written as much as most other writers. Certainly maybe those who keep a more regular schedule accomplish more.
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When I find myself in the company of scientists, I feel like a shabby curate who has strayed by mistake into a room full of dukes.
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I do not see myself, I never make plans, I never set goals, and I never do that kind of stuff; I don't like to futurize, I barely know what I will do tomorrow, and because there is a working plan here, I've never futurized because life always surprises me with things even better.
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With 'Pretty Girls,' I saw the opportunity to talk not just about crime but what crime leaves behind.
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While one should never underestimate the ability of risk-besotted financiers to wreak havoc, the real threat to capitalism isn't unfettered financial cunning. It is, instead, the unwillingness of executives to confront the changing expectations of their stakeholders.
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I've always felt, even as a songwriter, that the rhythm of speech is in itself a language for me.
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Am I famous in Japan? I don't know, and I don't really think of myself in that way.
