Pablo Picasso Quotes
Almost every evening, either I went to [Georges] Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's work. A canvas wasn't finished unless both of us felt it was.
Quotes to Explore
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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No one likes to be criticized.
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You would hardly believe how difficult it is to place a figure alone on a canvas, and to concentrate all the interest on this single and universal figure and still keep it living and real.
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Even though I know who I am, musically I'm a blank canvas. I know what colors I want to use, but I don't know what picture I want to paint yet.
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Envision what the end result is supposed to be... what do you want to be when you grow up? Where do you see yourself? Once we identify what the painting on the wall is, it is so much easier to bring in the right colors, canvas and brushes to paint that picture.
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But it's like the horror of being in a studio with a blank canvas. I used to always run out of ideas because there are so many possibilities and I would just think, well what am I going to do now!
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I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.
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Deals are my art form. Other people paint beautifully on canvas or write wonderful poetry. I like making deals, preferably big deals. That's how I get my kicks.
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We allow no geniuses around our Studio.
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Cover the canvas at the first go, then work at it until you see nothing more to add.
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I write in the studio.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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I want to do just, like, regular art. Whatever is made today on canvas goes up against all of art history. It's the most radical thing.
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I came to feel very, very sentimental about those sets, which is ludicrous, because they represent everything which is transitory and insubstantial. It's absurd that one should feel sentimental about timber and canvas.
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Dancers are a work of art - they are the canvas on which their work is painted.
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When I have a day off, I won't spend it at a Hollywood party. I'd rather be at home with paints and a blank canvas.
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I'm a pointillist, just working my tiny little piece of the canvas. I'm not so good at perspective.
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Well, once I did 'Grease,' everyone was offering me studio pictures in a similar vein – you know, popcorn movie.
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Money is like a canvas or a shape shifter. It's like whatever you project on that canvas, that's what money is for you. Really, in its essence it's power. Most people relate to money the way they relate to power. They either think other people have it, and they don't and they're mad about it, or they feel fearful of it like having it would be a burden or a responsibility.
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Most of us employ the Internet not to seek the best information, but rather to select information that confirms our prejudices.
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People bore me. Film people particularly bore me. I prefer talking to my trees
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There is no knowing that does not begin with knowing God.
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Almost every evening, either I went to [Georges] Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's work. A canvas wasn't finished unless both of us felt it was.
