Thomas Mesereau (Thomas Arthur Mesereau Jr.) Quotes
Early in your interviews, you denied being touched in your private areas, didn't you?
Quotes to Explore
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I am quite a private person.
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I try to find 15 minutes a day to just be alone without any distractions just for headspace to meditate and get my Zen on. I think that helps me get through the hecticness of the day on tour with the interviews, the sound check, the meet and greets, the show and the post-show meet and greets.
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No matter what, I will always hope for that day when I look around and can say, 'Oh yeah, I wrote a song that touched me emotionally the way that a song like 'She's Got A Way,' by Billy Joel did.'
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In the songs I can still be really really direct but in interviews when I'm explaining my songs I shouldn't be so direct about who they're about.
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The big companies are the private industry. But they're faced with a short-term need to show a profit in short-term.
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It's me! It's me! It's always me! [Darren when asked who smelled so good at the MTV Live interview in New York]
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It's the interviewee's job to know that his privacy is going to be invaded on some level. Otherwise, you are better off not doing the interview.
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I was brought up as a Catholic, and I'm no longer a Catholic. I don't talk about my beliefs too much in public probably because I feel very strongly that it's something personal - more than personal, it's private.
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Make sure you have your own life before becoming someone's wife ~spoken to Oprah in an interview
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I watch like, Steve Jobs interviews, I don't really watch TV. I stopped watching TV when I turned like ten because my parents were like, 'TV's really bad for you.'
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It is clearly better that property should be private, but the use of it common; and the special business of the legislator is to create in men this benevolent disposition.
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My site has the whole thing - blogs, information, video interviews.
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The events of human life, whether public or private, are so intimately linked to architecture that most observers can reconstruct nations or individuals in all the truth of their habits from the remains of their monuments or from their domestic relics.
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I would like go to Palestine and interview people there about what their lives are like; same thing in Iran.
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I do all my interviews on the toilet.
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I don't spend time thinking about an aesthetic out of which I create or an ideal toward which my body of work is heading. It's amazing, when I read interviews with other poets, to see how articulately they discuss their own writing, as if they were sharing long-held theories on the work of Pope or Keats. I'm happy enough that I've poured the best of myself into the poems themselves.
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I was happy to be involved in an art for the people and not for private drawing rooms. It was inexpensive, accessible to the general public, and it found a home in poor families as well as in more affluent circles.
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Back in the day we didn't really have time to be a live act because we were always on TV or doing live interviews. We were being flown all over the world.
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The best people possess a feeling for beauty, the courage to take risks, the discipline to tell the truth, the capacity for sacrifice. Ironically, their virtues make them vulnerable; they are often wounded, sometimes destroyed.
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My biggest surprise is probably the level of involvement of all the artists in Valerian who participated at every level.
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I will keep speaking for my people.
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I painted it in Berlin self-portrait 'The Drinker', while screaming military convoys were passing beneath my window day and night.
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I think that whether you've just begun writing or whether you've been writing for fifty years - I mean, I'm excited to get there and tell you about it when I do - I think that there's always the challenge of believing in yourself enough to get the work done and not being so taken with yourself that you're unwilling to continue to work on the work.
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Early in your interviews, you denied being touched in your private areas, didn't you?
