Nemanja Matic Quotes
For me, I want to improve, to play good football in a good league; the money is not the most important thing.
Quotes to Explore
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I just got to hear every note. After I left Birdland, I started working at the Jazz Gallery. In the end, I still couldn't play, but I knew how to listen. I was probably the world's best listener.
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You know, I think I did originally have some sort of idea of maybe a Where Eagles Dare kind of mission against impossible odds, but it really sort of died before I had a chance to really go anywhere with it, and then just doing the book was out of the question.
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I never give advice unless someone asks me for it. One thing I've learned, and possibly the only advice I have to give, is to not be that person giving out unsolicited advice based on your own personal experience.
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I like seeing advanced acrobatics, but I also like to see more than tumbling. It's important to combine the artistry of gymnastics with the tough skills. It's called artistic gymnastics. We should stand by the name.
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Governments enjoying surpluses have a very strong temptation to splash money around, and while tax cuts are always appealing, cutting taxes at the top of a boom runs the real risk of creating a structural deficit when the boom subsides.
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A naturopath once told me you should never take antibiotics except if you have pneumonia, a kidney infection or some other serious illness. That's my philosophy, too.
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I'm not a director who feels I should be in your face all the time. I really want you to watch the actors and listen to the play.
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I try to let my game speak for itself.
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The English playwrights of the '50s and '60s didn't really keep writing or getting produced, while the Irish did. There's encouragement for the younger ones also in the fact that Ireland is exceptional in its ability to make theater part of the national dialogue, and it reaches to all four corners of the country.
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The propagandist's purpose is to make one set of people forget that certain other sets of people are human.
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I was broke from 19 to 26, borrowing money from my parents or my brothers or sisters every week to pay the bills.
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When we have relationships with animals, we often make up who they are.
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One of the first things I ever did was 'Critical Condition.' That was before 'Full House.' It was a Richard Pryor movie. I didn't have a giant part, but I was in it throughout. I loved the heck out of it.
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I sort of feel like my job is to be a conduit to opportunities, to maximize the creativity of the day itself - because that's when the cameras are running. That's the important thing to me. Some of these shots you need to think about in advance; you need to have some ideas for them.
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The fundamentals for me are character and conflict. I put character first because readers will be indifferent to conflict if they are indifferent to the character who is experiencing it.
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I think writing well takes a little bit of talent and an awful lot of work.
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I do everything in moderation.
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Ian Fleming was my cousin, and he wanted me to play Dr. No, but by the time he got around to remembering to tell the producers, they'd already cast someone else. Spilt milk!
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I started rapping before anybody had ever bought a car from it. It was truly about the art form and the culture, more so than now, where it's a successful way to make money. Back then you had to be doing it because you liked it.
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When you work in such a surreal environment as movies, just listening to some tunes or hanging out with friends is what you crave. Even time alone.
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I keep working mainly because my wife and I spend most of our time touring the country doing our own plays.
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My dad taught us that there's no greater distance than that between first and second place.
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If you believe that movies are alive and talking back to you, there's a point at which it's very obvious they're not finished.
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For me, I want to improve, to play good football in a good league; the money is not the most important thing.
