Nemanja Matic Quotes
For me, I want to improve, to play good football in a good league; the money is not the most important thing.

Quotes to Explore
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I just got to hear every note. After I left Birdland, I started working at the Jazz Gallery. In the end, I still couldn't play, but I knew how to listen. I was probably the world's best listener.
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You know, I think I did originally have some sort of idea of maybe a Where Eagles Dare kind of mission against impossible odds, but it really sort of died before I had a chance to really go anywhere with it, and then just doing the book was out of the question.
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I never give advice unless someone asks me for it. One thing I've learned, and possibly the only advice I have to give, is to not be that person giving out unsolicited advice based on your own personal experience.
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I like seeing advanced acrobatics, but I also like to see more than tumbling. It's important to combine the artistry of gymnastics with the tough skills. It's called artistic gymnastics. We should stand by the name.
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Governments enjoying surpluses have a very strong temptation to splash money around, and while tax cuts are always appealing, cutting taxes at the top of a boom runs the real risk of creating a structural deficit when the boom subsides.
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A naturopath once told me you should never take antibiotics except if you have pneumonia, a kidney infection or some other serious illness. That's my philosophy, too.
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I'm not a director who feels I should be in your face all the time. I really want you to watch the actors and listen to the play.
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I try to let my game speak for itself.
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The English playwrights of the '50s and '60s didn't really keep writing or getting produced, while the Irish did. There's encouragement for the younger ones also in the fact that Ireland is exceptional in its ability to make theater part of the national dialogue, and it reaches to all four corners of the country.
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The propagandist's purpose is to make one set of people forget that certain other sets of people are human.
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When we have relationships with animals, we often make up who they are.
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One of the first things I ever did was 'Critical Condition.' That was before 'Full House.' It was a Richard Pryor movie. I didn't have a giant part, but I was in it throughout. I loved the heck out of it.
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I sort of feel like my job is to be a conduit to opportunities, to maximize the creativity of the day itself - because that's when the cameras are running. That's the important thing to me. Some of these shots you need to think about in advance; you need to have some ideas for them.
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The fundamentals for me are character and conflict. I put character first because readers will be indifferent to conflict if they are indifferent to the character who is experiencing it.
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I think writing well takes a little bit of talent and an awful lot of work.
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I do everything in moderation.
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Ian Fleming was my cousin, and he wanted me to play Dr. No, but by the time he got around to remembering to tell the producers, they'd already cast someone else. Spilt milk!
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You will know that forgiveness has begun when you recall those who hurt you and feel the power to wish them well.
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In Tbilisi in 1990, I recall watching zealous Georgians smash statues of Lenin and Stalin. A few days earlier, though, in Moscow I had been invited to address the Red Army, as one of the first Brits to benefit from Glasnost. The subject they chose: The Cuban Missile Crisis.
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When those waiters ask me if I want some fresh ground pepper, I ask if they have any aged pepper.
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My family didn't have money to travel, so reading was how I knew about the world. It made me hungry to have more experiences than just what I could possibly experience in Arkansas.
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I don't look at money as success. I look at it as an avenue to freedom.
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If there's anything about the business that I love and that I'm extremely happy about, is that my career started at that time and that I met some of the greatest entertainers at that time and some are still here.
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For me, I want to improve, to play good football in a good league; the money is not the most important thing.