Bassnectar (Lorin Ashton) Quotes
I really want to go to the opposite end of the spectrum and go super-special, super-intimate, super-creative, super-old school. It’s funny how many uphill battles you have to fight to get to do that. Getting them to let you play on the floor — like, I want to be on the floor, in a booth, and not looked at — not because I’m hiding. I want to provide people with this experience that I don’t think they necessarily get these days, which is just to be immersed in music and not be at a show, just to be at an event of dancing and immersion.
Quotes to Explore
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This was just one of many times God has spared me.
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About two hundred or two hundred and fifty years after the death of Grettir, his history was committed to writing, and then it became fixed - nothing further was added to it, and we have his story after having travelled down over two hundred years as a tradition.
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The fact is that surveys which media people openly admit to show that fewer than twelve percent of their customers believe they're doing a good job, while the average profit margin in television is in the neighborhood of eighty percent.
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When I was young, 'Scarface' was my favorite film. Al Pacino is my hero. I want to work with him.
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I shall participate, I shall contribute, and in so doing, I will be the gainer.
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I have been the last space marine between earth and an alien invasion. I really just don't need to go there anymore.
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Man is a mind betrayed, not served, by his organs.
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In a way, publishing in 2005 was similar to publishing in 1950. Nobody kept blogs; that was still optional. I didn't even have a website then.
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In emerging markets, slow growth in the advanced economies has shut down a traditional development path: export-led growth. As a result, emerging markets have had to rely once again on domestic demand. This is always a difficult task, given the temptation to over-stimulate.
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I am essentially someone who comes from the theatre. I love the theatre. Unfortunately, theatre doesn't pay the bills. Only in theatre abroad, I get a wage.
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I drive a big Dodge truck. I drive American cars.
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I think there are only two kinds of heroes: the flamboyant ones and the angry-yet-silent types. Every character on TV falls into either category.
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It will soon be 25 years from the date of publication of my first research work. That the scientific aspirations kindled by that early work did not suffer extinction has been due entirely to the opportunities provided for me by the great city of Calcutta.
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I'm an obsessive. When I get a problem, a question in my mind, it can take me over.
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The overwhelming number of police officers in Chicago are doing good work under difficult conditions. They put their lives on the line every day in situations none of us can fully comprehend or appreciate.
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Princes appear to me to be Fools Houses of Commons & Houses of Lords appear to me to be fools they seem to me to be something Else besides Human Life.
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Guetta, in general, what he did for the entire industry, same as Tiesto, same as Daft Punk, they paved the way for us. If Guetta didn't exist, 'Animals' would have never been played on the radio. Because of people like him and Avicii. But mainly Guetta.
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In our cultural history, all emotions have been more culturally acceptable to women.
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We should be able to be ourselves. Make a political stand if you want to.
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There's some places where, I don't know if they're fiddle fans, or Natalie fans or if they just love Celtic music, but there's some places where there's just awesome crowds.
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Whether it was the Alaskan pipeline disaster or the Texas City refinery fire where 15 people died, time after time it's been shown that BP chooses expediency over safety.
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If you say you want to automate cars and save people's lives, the skills you need for that aren't taught in any particular discipline. I know - I was interested in working on automating cars when I was a Ph.D. student in 1995.
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I've never done a musical, and I don't think I could do one, but I would love to play Sally Bowles in 'Cabaret.'
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I really want to go to the opposite end of the spectrum and go super-special, super-intimate, super-creative, super-old school. It’s funny how many uphill battles you have to fight to get to do that. Getting them to let you play on the floor — like, I want to be on the floor, in a booth, and not looked at — not because I’m hiding. I want to provide people with this experience that I don’t think they necessarily get these days, which is just to be immersed in music and not be at a show, just to be at an event of dancing and immersion.
