Taiye Selasi Quotes
When I'm working, I'm so narrowly focused on sound, language, rhythm, flow, that I rarely feel the emotion of the text. It's only after - long after - I've finished a piece that I can experience in any way its emotional charge.
Quotes to Explore
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Our franchises have never been healthier. Our league, in terms of its economic footing, has never been healthier.
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It must take account of what it decrees for today in order that today may not paralyze tomorrow.
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It ultimately becomes an asset to be part of a theatrical family if, indeed, you're good at what you do.
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I want to help middle-school girls stay interested in math and be good at it, and see it as friendly and accessible and not this scary thing. Everyone else in society tells them it's not for them. It's for nerdy white guys with pocket protectors.
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By accepting what the external structures have told us we need to do, we have given the power of our realities and ourselves to others. It is time to tell a new story for women, and that can only start with women.
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It's a different era. Our job now is to show leadership and vision and to help the next generation of artists.
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Back in 1999 and 2000, a few of us... a very few of us... Douglas Clegg, Seth Godin and I... offered free electronic copies of our books in an effort to reach an audience we otherwise wouldn't have reached and to test out a new marketing concept for books. Despite the industry screaming we were crazy, it worked.
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It was very unusual, because normally the producer requests the test to determine whether they want to hire someone or not. Olivia was concerned about playing a seventeen year old.
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I just take it one day at a time. Austin Powers has given me a lot of opportunities as far as my career.
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You cannot force a state to be demilitarized. Even if a state enters a treaty where it commits to be demilitarized, there's no way to reverse statehood if it violates it.
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I love to sing random stuff. That's exciting for me.
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With Spotify, people don't get it until they try it. Then they tell their friends.
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It's hard to see how the Copyright Office can rise to the many challenges of the 21st-century work that you do without dramatically more independence and dramatically more flexibility.
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My friend Jerry Falwell was the one who said it, and he was a guest on my show, and it's hard to take the blame for everybody who shows up on your show.
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At the high school level, the coaches get these kids in revenue-driven sports and take them away from baseball. There's so much pressure on these kids to even play spring football. We need to get the African-American players back in the game, which I think would make it not only a better game, but more exciting and entertaining for everyone.
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What drew me towards team sport were the camaraderie and friendship. The chance to celebrate victory and success with a group of other people is something I have enjoyed doing.
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My aunt took me to see 'Salad Days' when I was seven. This story of a magic piano that infects everyone who hears it infected me, too. It was a Road to Damascus moment in my life.
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One of the saddest things about publishing is how quickly it ages what it touches. The frenzy involved in getting books on shelves, and in putting the word out that they're there, moves at a speed that is not the speed of writing, let alone of reading.
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Every night is different, a ball of thread that unrolls differently.
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I think it's incredible because there were guys like Willie Mays and Mickey Mantle and Henry Aaron who were great players for ten years... I only had four or five good years.
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Interior design is a business of trust.
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A story to me means a plot where there is some surprise. Because that is how life is – full of surprises.
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Life for me outweighs the game of basketball.
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When I'm working, I'm so narrowly focused on sound, language, rhythm, flow, that I rarely feel the emotion of the text. It's only after - long after - I've finished a piece that I can experience in any way its emotional charge.
