P. G. Wodehouse Quotes
Quotes to Explore
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I think downloading is both saving and killing the music industry at the same time.
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I can't bear art that you can walk round and admire. A book should be either a bandit or a rebel or a man in the crowd.
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Sundance is going to be a defining moment in my life. But the unfortunate thing about Sundance is, when you have a film there, you can't have the opportunity to see other films.
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My vision for the future always centers around our children - it always centers around our children. So anytime anybody asks me what are the three most important issues facing the Congress, I always say the same thing: 'Our children, our children, our children.'
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French 'Vogue' was always a photographer's magazine.
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Jewish, black, Filipino, whatever the specificity is, it's specificity that makes a good story. And I think people are tired of seeing the same old shtick on network television. It's just a group of white people hanging out talking about their jobs. Who cares? We've seen that.
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I've had to fight for roles and I've lost a hundred roles, but 'Smoking' and 'Smith' were phone calls. That's the dream.
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Actually, I am a golfer. That is my real occupation. I never was an actor. Ask anybody, particularly the critics.
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Paris and Nicky Hilton? Those girls will show up to the opening of a phone book. It's like a big joke.
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What I'd like to pass on to my children is the thirst for knowledge. It's something I experience every day that I learned from my father. He always taught me that no matter how long you've done something, you can always learn something new and be better at what you do.
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Female adolescence is - universally - an emotionally and psychologically intense period.
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Behavior used to be reinforced by great deprivation; if people weren't hungry, they wouldn't work. Now we are committed to feeding people whether they work or not. Nor is money as great a reinforcer as it once was. People no longer work for punitive reasons, yet our culture offers no new satisfactions.
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If America don't come around, we're gonna' burn it down.
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Los Angeles was great fun because it was the polar opposite of Moscow in 1980. It was sunny and bright, lots of colours around, whereas Moscow was dark and oppressive.
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Of all the labels and tags and epithets people have forced upon me, there's one I don't dislike. I get called the 'enfant terrible.' In every article, it's always there. So I have to give that a meaning.
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If you look at any other group of people suffering injustice, women are always in the worst situation within that group.
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I hate to travel. I don't go anywhere.
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Whether it's as the hero of an adventure story, as teacher and friend, as icon on watch, shirt or hat - everyone knows Mickey Mouse.
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I never carry a purse. My iPhone is always with me, a credit card, and a piece of mint chocolate chip cookie dough ice cream gum.
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I want to get better as an actor, to keep trying to work harder, trying to discover something different. In some ways, it's a pretty frightening experience. But normally, I do tend to walk against fear and hope that I'll be able to survive.
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I started writing 'The Lord of Opium' in 2008 and produced about 80 pages before disaster struck. Three eye operations nearly put an end to my career.
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On set is where I feel comfortable. The red carpet stuff, talking about the film, explaining your own life, it doesn't come naturally. It's all necessary stuff I suppose but it's not my strength.
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I find a lot of feminist reading quite confusing and that often there's a set of rules, and people will be like, 'Oh, this person isn't a true feminist because they don't embody this one thing,' and I don't know, often it can be a gray area, and it can be a hard thing to navigate.
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He was white and shaken, like a dry martini.
