Tara Strong Quotes
Quotes to Explore
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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Sometimes what I think what the news is missing is the human element, the connection - the moment that you look into a little girl's eyes or a father who has just left his family and risked everything just to try and survive.
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I grew up in a house full of books, and we belonged to the Country Lending Service - each month the State Library would send us a parcel of books by train.
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I've wanted to be an actor for such a long time that I haven't had anything else in my thoughts. I think my family would have quite liked me to be a lawyer.
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I grew up on a farm where we had one radio station and it was all country.
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I think violence can never be justified.
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The key to winning baseball games is pitching, fundamentals, and three run homers.
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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You get to a point where it's like you can't really do anything right, and people will pick on you for whatever decisions you make, so I just try and take no notice and get on with my music.
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Our guiding principle was that design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society.
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Isn't it astonishing that all these secrets have been preserved for so many years just so we could discover them!
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My grandparents met each other in amateur theatre. My uncle is an actor.
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I love people who break boundaries and always create something new and fresh.
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I've started doing my coaching badges, I'd like to be a manager one day.
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I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema.
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It's pretty neat to be able to help the team in different ways.
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I tend to write short, brief snippets - I lean toward the chamber music end as opposed to the symphony end of things.
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We have to fight sometimes to survive.
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In a long story like 'Weathercraft,' it becomes kind of convoluted. It can become perhaps difficult to remember what led up to whatever point you're at. I worried a little bit about people being able to keep the shape of the story in their heads while they were reading it, and not wonder how they got wherever they were.
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If you're quiet, you're not living. You've got to be noisy and colorful and lively.
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I think there's a good pop song in pretty much anything.
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My son is old enough to respond to my work. To me, that's what it is all about.
