Barry Ritholtz Quotes
Quotes to Explore
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I enter my studio at 9 a.m. I have lunch here, I return right away to my work and I go out to dinner at 8 p.m. My daily tasks vary very much.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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I've worked in television all my life, but really I've always wanted to work in the movies.
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I definitely understand what it's like not having family around when you want them there, but you don't live in the same city.
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I accepted the interviews and encounters that had to be held with the media, but I would have preferred to work in peace.
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Nazanin Zaghari-Ratcliffe was not engaged in subversive work; she was an apolitical project manager with the Thomson Reuters Foundation, the charitable arm of the Reuters news agency.
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The only really conscious decision I made was to cast my net wide and if the work was good, to do it.
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I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.
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I'm smart enough to know to work with smart people.
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My CIA colleagues were smart, dedicated, funny, and creative. Yes, there was sometimes stifling bureaucracy, boredom, colleagues who never should have been there, and later, deeply disturbing stories of the CIA's involvement in torture. Still, I got to do work I thought was incredibly important and, many times, had fun doing it.
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I think Star City should have Unesco World Heritage status. It will need to be adapted a little bit and made more glamorous than it looks now, but it should definitely be protected for the future.
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I have one car that works; it's fast and safe: an Audi 5. And I have two old cars that never work: an old Peugeot convertible, and an Alfa Romeo Giulia.
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Human connection is the way things work. It's like a patronage system. You know somebody, and he knows somebody, and he knows somebody, and he knows the district governor, and it's okay.
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All the stuff that you visualized that was going to work so beautifully, you discover is trashed, so you jump to something else.
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Many people who want to be great aren't willing to do the work to make it possible!
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'Cold Case' was fun. It was a fun experience. That was right when I was cutting my teeth as a TV actor. It was a great learning experience to work on really fast-paced television shows that are very high quality. It was a place where I learned that I had to keep up and I could keep up.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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City of Los Angeles is my home, and it is my duty to lead by example, contribute all that I can, and help make the world a better place with the tools and resources available to me.
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Viewers can't work or play while watching television; they can't read; they can't be out on the streets, falling in love with the wrong people, learning how to quarrel and compromise with other human beings. In short, they are asocial.
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When I'm really purring it, I feel as if my whole left side - from knee to hip to shoulder - is turning behind me as I swing through the ball.
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How are the cabs in your city? In Manhattan, where I work, they are rather awful.