Patrick Rothfuss Quotes
He picked the rock back up. 'Do you believe that it floated?''No!' I sulked, rubbing my temples.'Good. It didn’t. Never fool yourself into perceiving things that don’t exist.'
Quotes to Explore
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Always remember that the most important thing in a good marriage is not happiness, but stability.
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A British porch is a musty, forbidding non-room in which to fling a sodden umbrella or a muddy pair of boots; a guard against the elements and strangers. By contrast the good ol' American front porch seems to stand for positivity and openness; a platform from which to welcome or wave farewell; a place where things of significance could happen.
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There is a huge reservoir of support for abortion rights from ordinary women. I hear all the time from women who had abortions and say it made possible the good life they went on to have. Social shaming silences too many.
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When you're a producer and an artist you're very critical of yourself. I like to produce other people, but I'm not that good at producing myself.
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I'm always trying to find 'connections' between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
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I think fashion is actually very good training for being in the tech world, because it's all about moving on to the next thing, looking for the next thing, not getting stuck in the past.
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I had a high school sweetheart that was my first. We were together all through high school. I had just broken up with him because I didn't think I was good enough. He wanted to be an anesthesiologist. I wanted to be an entertainer. His life was more planned out, and mine wasn't.
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Sometimes the kids come up with better endings than the real story.
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I lived near Arthur's Seat when I lived in Edinburgh. It was the perfect playground as a child. I always have a wee run up there when I'm back.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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I don't worry too much about the script, I just ad lib, like Pearl Bailey.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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It's my job to make sure that the people I'm gonna team up with for my music see everything that I'm about: Put all my cards on the table and don't make them guess.
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I grew up with all these old jazz guys in the '70s in L.A., and they grew up idolizing Charlie Parker, Charles Mingus, Lester Young - all of these incredible musicians.
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I loved working with kids, and kids are the most incredibly discerning audience. And if they don't believe you, they will tell you and let you know. I mean, kids is where it's at, really.
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I like connecting the abstract to the concrete. There's a tension in that. I believe the reader or listener should be able to enter the poem as a participant. So I try to get past resolving poems.
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My favorite roles usually have to do with the story, if it's a good story I usually enjoy doing the character.
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I grew up in the Midwest, so we really didn't have much hockey going on.
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Why can't everybody leave everybody else the hell alone.
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I rarely eat breakfast because of our schedule, actually. If I do, though, I'll try to do an egg-white omelet with some bell peppers and mushrooms. Maybe a side of a bunch of different fruits.
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I don't want to be a lead player. I don't want to shred and play fast licks. I just want to be the best rhythm section ever.
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You know, kids come to see me in the same way that their parents would go to see a rock concert.
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He picked the rock back up. 'Do you believe that it floated?''No!' I sulked, rubbing my temples.'Good. It didn’t. Never fool yourself into perceiving things that don’t exist.'
