Barry Hannah Quotes
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I was always kind of florid. And full of rhetoric. That was my flaw. My whole time writing, I've had to work against that because it can be a wrecking posture.
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Randomness I love. And I still love just a holler right in the middle of an ongoing narrative. Pain or joy, ecstasy.
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Love and despair go hand in hand.
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I wanted very much to be Miles Davis when I was a boy, but without the practice. It just looked like an endless road.
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I don't write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that's it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
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I wouldn't buy somebody's album on a dare if they called him a musician's musician. I don't write to be a writer's writer. I don't want to be like the little-magazine writer.
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I had absolute freedom to create things on my own and in silence. No rush, the artificial rush by media. Certainly no rush to grow up. We had plenty of boyhood, plenty of girlhood.
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I'll tell you why I like writing: it's just jumping into a pool. I get myself into a kind of trance. I engage the world, but it's also wonderful to just escape. I try to find the purities out of the confusion. It's pretty old-fashioned, but it's fun.
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I wouldn't be happy had I only been a teacher, if all I had done was help young people, frankly. I don't get nearly the joy teaching as I do out of creation.
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Honestly, I envy painters, who can have a masterpiece in one morning. Or musicians, who can write something in 30 minutes and arrange it in an hour, sometimes. 'Cause with this, with writing, you can occasionally feel like a caveman, like you've been working with pitch and tar on this brush.
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I don't go around thinking about regret; regret doesn't consume me as a person... I'm not certain about whether any writer, any artist, any musician, can write without regret, so I don't think perhaps it's even particularly Southern.
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When you're not involved, other people's unhappiness seems to be about the funniest damn thing on earth because you think you can solve it, that you are God, that you are above this, and that their unhappiness is just such useless toil and agony. If it's you, it ceases to be a comedy.
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I grew up when people seemed actually to be hurting themselves for their art. Of course, some of it was phony.
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A man's got to do what a man's got to do. A woman must do what he can't.
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Most novels I come across have all the excitement of a long trip on a bus with a sensitive glee club. Yammer and chat.
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A writer's job is to destroy and then to build the thing back up again by a chosen means.
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I don't really care about plot; I want to have a page-turner in a different kind of way.
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My aunts told wonderful stories. Not to me, but to each other. We had a very strong family. My mother's sisters loved each other intensely. The uncles loved each other intensely.
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Some writers are curiously unmusical. I don't get it. I don't get them. For me, music is essential. I always have music on when I'm doing well. Writing and music are two different mediums, but musical phrases can give you sentences that you didn't think you ever had.
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My best stories come out of nowhere, with no concern for form at all.
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Voice comes to you through a spell, a trance. The best voices are not you... they're a little away from you.
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I was born in Clinton, Mississippi, which had 1,500-2,500 people when I was growing up - a village.
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I hate to be fatalistic about it, but alcoholism, it's just in your genes. We had some of it in my family, and it just got me.
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I found out about reviews early on. They're mostly written by sad men on bad afternoons. That's probably why I'm less angry than some writers, who are so narcissistic they consider every line of every review, even a thoughtful one, as major treason.