Taylor Hackford Quotes
Quotes to Explore
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People get TV deals by doing something in their grandmother's basement. It is definitely the wave. Everybody is trying to do all that stuff. I mean, the Internet is the only reason that I've gotten work is because I've somehow created a line and people have seen it. And then I've been asked to auditions.
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Culture is mix. Culture means a mix of things from other sources. And my town, Istanbul, was this kind of mix. Istanbul, in fact, and my work, is a testimony to the fact that East and West combine cultural gracefully, or sometimes in an anarchic way, came together, and that is what we should search for.
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I think when you're dealing with very tenuous scenes and difficult and heavy subject matter, it's important to be close intimately with your cast as friends, and be able to diffuse a lot of that tension and trust each other with the work.
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There's a set of rules out there somewhere that says it all ends by 40. I hope to be able to defy that because I truly love my work.
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I think people do their bravest work when given an elusive canvas. That would be seemingly the weirdest, but also the most wonderful.
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I was a little, uh, incorrigible as a kid, so the kitchen was a good place to give me structure and balance. It taught me hard work, but then I grew to love it.
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My parents got to see all my hard work pay off.
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I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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Usually when you're working is when people want you to work. They don't want you as much when you're not working. That's the frustrating nature of our business.
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Our contribution purely depends on our consciousness and our willingness to support those in need, to show vulnerability and accept the support of others, to share without expecting the credit, to give it our all and allow our hard work to decide the outcome, to understand that control can only be achieved with a shared responsibility.
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Something like 'The Matrix' would be ideal, something where it's super agents and wire work and special effects - not necessarily running from bombs and shooting people. Something more sleek, like an assassin.
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I don't believe in sharing my money. If I go out and work my nuts off and make some money, I don't feel that I should have to share it with my community.
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Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
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I want to do work that has a message and casts a light over an area that's dark. But I'm fun and jovial, too.
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America's growth historically has been fueled mostly by investment, education, productivity, innovation and immigration. The one thing that doesn't seem to have anything to do with America's growth rate is a brutal work schedule.
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Human connection is the way things work. It's like a patronage system. You know somebody, and he knows somebody, and he knows somebody, and he knows the district governor, and it's okay.
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Work is both my living and my pleasure.
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I think the close work I do as a translator pays off in my writing - I'm always searching for multiple ways to say things.
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When I think about my great conversations with Marlon Brando on the set of 'Morituri,' I think there's a story there, just as I do with my experience working with James Cameron on 'Titanic.' And then there are all my years on 'Y&R' and all that has happened there.
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I think it is the fact that I want to quit that keeps me going. It's very complicated. But I think part of this whole exploration with every job that I do is, in terms of overcoming fear and by overcoming the fear, I feel so much more complete, and I learn something new about myself.
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I saw 'Hairspray' at the Pantages in L.A. It came to the Pantages right before I did the movie, and just being in New York sometimes and seeing the marquees and everything like that, I'm like, 'I really, really have to go experience a Broadway play.'
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I have severe osteoporosis. Your bones start to collapse.
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It's much easier to work with an unknown.
