Beau Bridges Quotes
Quotes to Explore
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I told my agents that I love Holly Hunter and Frances McDormand and all of these women that are good at doing comedies as well as dramas.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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On the whole, it is the rights and freedoms of all citizens that are crucial in Saudi Arabia and from those the rights of women will emanate.
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I didn't care what, how much adversity life threw at me. I intended to get to the top.
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We believe in the vision of 'Make in India,' and our proposed joint venture with Rafael is a step in this direction.
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There is a serious tendency toward capitalism among the well-to-do peasants.
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There have been recorded cases of people learning how to fly a plane after playing a flight simulator, but there's never been a case of someone learning to fight by playing 'Tekken.'
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I really found this campaign odious. I couldn't get up for it. The quality of the candidates and the campaign, I just found the whole thing second-rate. I didn't know how to explain to my granddaughter that I was spending my dotage writing about Al Gore and George W. Bush.
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I can't relate to skinny, perfectly sculptured, tanned men singing about gold chains and Ferraris because I'm not that way.
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For me, if I'm just killing time, I play solitaire. I'm also guilty of playing Snood. I like games where I can shoot balls and match colors.
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Team members need to learn to leverage one another, and that doesn't happen over a golf game or on a phone. It happens by getting together and taking the time to know each other.
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I've always considered myself to be fiercely patriotic. I love Britain - its history and the down-to-earth attitude people have.
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I can give you a six-word formula for success: Think things through - then follow through.
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Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
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We seem, as a culture, to start to adhere to these antiheroes and have grown tired of the traditional, straight-up-and-down good guy.
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My sense of politics and justice was deeply shaped in adolescence by my involvement with the underground punk - rock scene, and though lots of social and political issues had come forth in my comics, it wasn't until my late 20s that I felt properly equipped to address certain issues of race, power, and violence in my work.
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I think you're certainly going to see much closer racing. But, no, these are very good teams in the IRL. I just can't stress how competitive they all are and how close it's going to be.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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Justice needs to be served, what I think people of Baltimore want more than anything else is the truth. That's what people around the country expect.
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When Marvel put together Ultimate Spider-Man and someone came up with the idea of having Principal Coulson, they said, "Do you want to do the voice?" I thought, "I have to do the voice!" Because I have a daughter and we watch some cartoons, I couldn't bear the idea of tuning in and hearing somebody else's voice.
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I think the lesson is that when you give black voices a platform and the opportunity to tell our story, we will tell good stories just like anybody else.
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Australians and the British are very similar: If you try and stand out in any way, and you try to reach for success, someone is gonna be there to cut you down.
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We are in an international marketplace for talent, and American colleges and universities need to be able to attract students and faculty from around the world if we want to sustain our excellence.
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My brother and I are always trying to figure out a way to work again together.
