Patricia Richardson Quotes
I didn't want to do comedy again. It is way harder when you are doing comedy. You can't just concentrate on the character and the plot. In comedy, the writers, instead of obsessing about character and plot, obsess about the jokes.
Quotes to Explore
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To be honest, I think for part of my late teens my character didn't really develop very much. I was in a state of cold storage.
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I want to be with those who know secret things or else alone.
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What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character.
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We could have gone with much bigger labels and more money, but we wanted to go with a company that is LA based, all in the same building, and really understands what the artists want.
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If I ever feel that acting is just soul-sucking and I don't want to do it anymore, I could stop.
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I don't want to be a grown-up anymore; it's hard!
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The four cornerstones of character on which the structure of this nation was built are: Initiative, Imagination, Individuality and Independence.
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I eat whatever I want, junk food included.
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I'm not trying to be Mr. Universe, but I want to stay in shape.
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College wasn't something I saw myself doing.
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First off, no one award-wise ever rewards comedy, which is... whatever. I don't care about that.
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I don't just want to be a cute girl in a comedy or the actress who just does the same thing over and over again. I want to play roles that are distinct. I want to have a more varied career like actresses Viola Davis or Angela Bassett - those are the people that I grew up watching and admiring.
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Flow with whatever may happen and let your mind be free. Stay centered by accepting whatever you are doing. This is the ultimate.
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I love edgy comedy. 'Coming to America' still gets me and 'Friday.' I watch old Richard Pryor stand-up on VHS, too.
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I have done theatre, and I enjoy the process of smaller films a lot more. When I do such films, there are certain things which I get to do which are untapped. The scenes give me the liberty to play and mould the character in accordance to the director's mindset.
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I'm proud that Della was sort of a prototype for TV secretaries. There really was no such established character on TV when 'Perry Mason' came along.
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But I really believe that you don't do music because you want to, you do it because you have to.
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It's like there's some unwritten rule that if you're mates, you can say what you want to each other, and you don't really get that annoyed about it.
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I always work with the tempo of the energy of the character, whether he's fast or slow, or heavy or light.
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I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
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He that expects to quantify in dollars the gains that will accrue to a company year by year for a program for improvement of quality expounded in [Out of the Crisis] will suffer delusion. He should know before he starts that he will be able to quantify only a trivial part of the gain.
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I've always supported myself. I like the sense of knowing exactly where I stand financially, but there is a side of me that longs for a knight in shining armor.
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The stand up, everything was accidental. I never grew up and was the class clown and had to get the attention. It was - it really is, I have a career despite myself.
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I didn't want to do comedy again. It is way harder when you are doing comedy. You can't just concentrate on the character and the plot. In comedy, the writers, instead of obsessing about character and plot, obsess about the jokes.
