Patrick Stump Quotes
I don't want names, but you have to have bumped into some pretty nasty artists with pretty big chips on their shoulders. I'd like an anecdote about the most obnoxious personality you had the misfortune of working with, albeit as anonymously as you feel comfortable divulging.
![Patrick Stump](http://cdn.citatis.com/img/a/9/4329.v6.jpg)
Quotes to Explore
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I feel like Adele is a diva. Not in the bad way. She is one of the greatest voices of this industry and of her own art. What she offers is so unique that she's risen to such a status that very few artists can enjoy.
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The short hair fits my personality more. I think maybe, with long hair, it was a role - I was playing dress-up a bit.
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My mom started working at the California Shakespeare Theater in Oakland when I was two years old, so I've always grown up around theater.
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When you choose your friends, don't be short-changed by choosing personality over character.
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Probably Romania and China and Russia. I think they're all working really hard to beat us right now.
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I've always been a fan of sci-fi, fantasy, and horror. I like working with larger-than-life characters in fascinating worlds - places where the rules are different.
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I keep working under the delusion that someday a library will ask for my manuscripts.
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I have an unfortunate personality.
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After you do this for a while, you get used to things not working the way you want them to. There's a job you want, and you don't get it. There's a movie you'd like to get made, and it doesn't get made. You become inured to it.
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You have to remember I've been working with adults since I was 12 - they were my peers, and it has an effect, for sure.
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The greatest service that can be offered to children who show personality traits or inclinations that might not be understood by the adults around them is to allow them to express their own unique humanity.
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I was working for the CIA and prohibited from speaking publicly.
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All artists are crazy.
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I was a big fan of Super Troopers, so working with the Broken Lizard guys was so much fun.
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I love working closely with people.
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I tend to write about my anxieties - it's what I'm afraid will happen. And I write a story working it out.
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My style is not trendy by any means; my inner artists loves to shine through in my wardrobe.
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I'm working over 80 hours a week and have to keep on track.
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One of the poets, whose name I cannot recall, has a passage, which I am unable at the moment to remember, in one of his works, which for the time being has slipped my mind, which hits off admirably this age-old situation.
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My father was working on his Ph.D. on Danish choral music - the Danish choral music of Carl Nielsen - so over there to do research
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I remember going down the tunnel into the Olympic Stadium and getting a glimpse of all the people and hearing all the noise, all the people shouting for us. I'd seen Usain Bolt on the warm-up track, and then, as I walked into the stadium, I sort of realised how big it was!
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I made a gym, it's the best gym in Nicaragua, I have kids that this year July 6th through the 11th will be fighting and then will go on to the Central American Games and I'm sure at least one will win a gold medal.
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She danced because she needed to. She needed to say things which could be said in no other way, and she needed to take her meaning and her living from the saying of them.
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I don't want names, but you have to have bumped into some pretty nasty artists with pretty big chips on their shoulders. I'd like an anecdote about the most obnoxious personality you had the misfortune of working with, albeit as anonymously as you feel comfortable divulging.