Bayard Taylor Quotes
'Really,' thought I, 'we call Baltimore the 'Monumental City' for its two marble columns, and here is Edinburg with one at every street-corner!'
Quotes to Explore
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It can be frightening to turn your back on what others think is right. But I'm not the same as a lot of people - I'm quite artistic and quite eccentric sometimes. If you honour that, you fit into yourself better - and people accept you for what you are.
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TV is like a school. It is easy to shoot for a film. In movies, you have a definite start and end. You know your character is there for a particular period.
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I don't think there's any such thing as teaching people photography, other than influencing them a little. People have to be their own learners. They have to have a certain talent.
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I do not suppose I shall be remembered for anything. But I don't think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.
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Mr. Churchill is proud of Britain's stand alone, after France had fallen and before America entered the War.
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I don't know what to do or where to turn in this taxation matter. Somewhere there must be a book that tells all about it, where I could go to straighten it out in my mind. But I don't know where the book is, and maybe I couldn't read it if I found it.
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When people refer to 'Back in the Day,' it was a Wednesday. Just a little fun fact for you.
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There's no business like show business.
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Can anyone understand how it is to have lived in the White House and then, suddenly, to be living alone as the President's widow?
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Sex appeal is in the workplace every day of the week. I'm not saying that's the only calling card, but it's a whole crayon box.
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I have only got down on to paper, really, three types of people: the person I think I am, the people who irritate me, and the people I'd like to be.
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I was an escapee of childhood. I always wanted to grow up.
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Comic books aren't nerdy. You'd have to be an idiot to think computers are nerdy.
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Throughout history, it has been the inaction of those who could have acted; the indifference of those who should have known better; the silence of the voice of justice when it mattered most; that has made it possible for evil to triumph.
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We are all Julian Assange. Serious reporters discuss classified information every day - go to any Washington or New York dinner party where real journalists are present, and you will hear discussion of leaked or classified information. That is journalists' job in a free society.
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I get paid the same money if I'm fighting on pay-per-view or on Fight Pass, and Fight Pass is just getting started. It's the future. The Internet, many people watch it.
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I am above the weakness of seeking to establish a sequence of cause and effect, between the disaster and the atrocity.
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I have great admiration for the way the Americans do business. They drive a hard bargain, but once they do it, they stick to their contracts.
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When you work as hard as you can and as much as you can to make your first album, and you don't make any money, then you change things.
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The walls between live-action and animation are becoming really porous, and it's interesting.
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I'm one of those people who says 'Yes' to everything, and in New York, that's a real liability. In the city, I could be playing seven nights a week and not finding the time to finish my own compositions.
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When I started doing 'The City' in 1990, most papers ran it the width of the page, 10 inches or so. It was great! I had lots of room to draw and write. It was the golden age of weekly comix. Today, most run my strip half that size. I just try to make it legible. It's very frustrating.
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I think that every year that the New York City Ballet is alive is worthy of celebration. Because otherwise the terrible thing is just that we take it for granted.
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'Really,' thought I, 'we call Baltimore the 'Monumental City' for its two marble columns, and here is Edinburg with one at every street-corner!'
