Parker Posey Quotes
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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Comfort the afflicted, and afflict the comfortable.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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I look back on some of my outfits, and I'm like: 'Why did I wear that? Where are my friends and why didn't they tell me not to leave the house?' If they had, I probably would've said, 'You don't know what you're talking about. This looks amazing.'
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There's a part of me that's always charging ahead. I'm the curious kid, always going to the edge.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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I'm a spiritual person and a religious person. But for me, it's all a personal thing. I'm not someone who'll say, 'This is what I believe, and you should too!' It's more of an internal, quiet, grounded, fulfilling thing for me.
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I love diamond facials - they leave me glowing and refreshed.
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Every story I create, creates me. I write to create myself.
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I feel totally French – I don't feel half-French because of my dual nationality. For me, dual nationality just means I don't deny my roots.
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The most memorable engagement for me, I suppose, was an away-day to Leicester. I went without William, so I was rather apprehensive about that.
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I might see something on TV and get inspired to write about it. I can't sit down and plan to write. It has to come to me in my head like someone telling me the words.
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My problem with new writers is that it takes me five or six years to memorise the right names.
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Modern American cinema seems to me superficial. The intention is to understand a certain reality, and the result is nothing but a photographing of that reality.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I had an unhealthy obsession with 'Only Fools and Horses.' I still have to watch an episode with my brother every two or three weeks.
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The look of being too deliberately dressed, with everything cautiously matching, always bores me.
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Just watching Jack Lemmon made me want to get into this business.
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My mom once lost track of me at the zoo and when she found me I was lecturing a man about the difference between dromedary and Bactrian camels. I was about 3 1/2.
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When I was ten years old, I had great pride in myself, which sometimes even took the form of boasting and self-praise; although I myself did not want to, I used to assume the air of someone undertaking some great work and mighty act of heroism.
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For nearly twenty years I have been a published author... But I have never yet seen a book of mine offered for sale in a shop window.
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Remember that the truth within yourself will always be greater than the truth found in these pages. These stories are here to guide us—to help us find that truth, not to tell us what it is.
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The film industry is mostly about unidimensional characters.
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I have a twin brother, so I was around guys like a sister. It was comfortable to me.
