Parker Posey Quotes
I traveled to Morocco once, and I only saw one television when I was there, but I did go into this dirt cave and I saw this kid chopping tomatoes and pita, and he had a picture on the wall of Jean-Claude Van Damme holding a gun. That connected with him on the other side of the world, so no wonder these big movies are made - they have a mass appeal.

Quotes to Explore
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I spend an extraordinary amount of time in my car, so I can justify the expense. That's the only extravagance in my life - it's my car.
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How small a part of time they share, That are so wondrous sweet and fair!
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I love to come in and play with a wig or glasses or clothes. I love using props. I'm from the Peter Sellers school of trying to prepare for the character.
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My main concern with the condition of mathematics in high school is that there's a lot of fear involved! Math is not, generally speaking, presented in a fun way. The concepts, as I see them, are fun, and that's the way I'd like to convey them myself.
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The networks are not some chicken-coop manufacturing lobby whose calls nobody returns.
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A man will turn over half a library to make one book.
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I have always been delighted at the prospect of a new day, a fresh try, one more start, with perhaps a bit of magic waiting somewhere behind the morning.
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My basic feeling about military intervention is that it should be a last resort, undertaken only to stave off large-scale bloodshed.
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Millions of us, myself included, go back generations in this country, with ancestors who put in the painstaking work to become citizens. So we don't like the notion that anyone might get a free pass to American citizenship.
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You must learn from the mistakes of others. You can't possibly live long enough to make them all yourself.
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Blip.tv is growing its audience by forming partnerships with traditional TV manufacturers and a new breed of company in the set-top box market that lets consumers connect to the Internet via their televisions.
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We must honestly face our relationship with Great Britain.
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As a result of 50 years of emancipation, feminine qualities were dying out or being transferred to the males. Pansies of both sexes were everywhere, not yet completely homosexual, but confused not knowing what they were. The result was a herd of unhappy sexual misfits... the women wanting to dominate and the men to be nannied.
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'Dhruva' will have them glued to their seats throughout, and I'm sure of that.
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What I always say to people is dress from the feet up. If you don't normally wear colour, try some colour on your feet; it's the place, I think you can have fun and update your outfit.
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I see many black males grasping for some thread of hope. There are so many destructive practices, glimpses into a psychic abyss. That must be very frightening.
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Character is higher than intellect. A great soul will be strong to live as well as think.
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I can't remember writing any of the songs that I've written.
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What has been forgotten is that there were major intellectual breakthroughs in the 1960s, thanks to North American writers of an older generation. There was a rupture in continuity, since most young people influenced by those breakthroughs did not enter the professions.
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And this is the simple truth - that to live is to feel oneself lost. He who accepts it has already begun to find himself, to be on firm ground. Instinctively, as do the shipwrecked, he will look around for something to which to cling, and that tragic, ruthless glance, absolutely sincere, because it is a question of his salvation, will cause him to bring order into the chaos of his life. These are the only genuine ideas; the ideas of the shipwrecked. All the rest is rhetoric, posturing, farce.
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Growing up in the '70s and '80s when my dad had an art gallery, one of the things that frustrated me was the world seemed so tiny, and to appreciate contemporary art, you needed a history of art, a formal education. I was more interested in the people, and that's why I went into the movie business in the first place.
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There are not many people from top-tier venture capital firms who are focused on the seed stage.
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I traveled to Morocco once, and I only saw one television when I was there, but I did go into this dirt cave and I saw this kid chopping tomatoes and pita, and he had a picture on the wall of Jean-Claude Van Damme holding a gun. That connected with him on the other side of the world, so no wonder these big movies are made - they have a mass appeal.