Ted Lange Quotes
Quotes to Explore
-
I think Freud is about contamination, but I think that is something he learned from Shakespeare, because Shakespeare is about nothing but contamination, you might say.
-
You CAN have it all. You just can't have it all at once.
-
It takes half your life before you discover life is a do-it-yourself project.
-
I was asking Charlie the most important questions, and you heard the answers.
-
Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
-
Anything that's given to you can be taken away from you at any time.
-
When you run into something interesting, drop everything else and study it.
-
For an actor, a Mamet play is definitely on the list of things you hope to be a part of before it's time to exit.
-
I do think you get lonelier and lonelier being an artist as you get older.
-
My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
-
Even if you throw your hair up in a quick topknot or ponytail, you can add instant polish by wearing a headband or bejeweled barrette.
-
A fascinating breed, Old Etonians. Impeccable in their social skills and very portable - you can put them anywhere, and they are absolutely charming.
-
There's nothing worse than a director who feels more like a cop than a comrade, so I try to never give orders or create an environment where it's 'my way or the highway,' because actually allowing talented people to bring their originality and insight always brings more depth and complexity than if everyone has to do what you tell them to!
-
You are just your intelligence.
-
When you are through with the blues, you've got nothing to rest on.
-
When there's an authentic mystery, as opposed to just a question being asked, that's what makes you lean forward.
-
I've experienced poverty and plenty, and there's a lesson to be learned when you're brought up in poverty.
-
If something is personal to you, you are much more likely to act.
-
I dislike Allegory - the conscious and intentional allegory - yet any attempt to explain the purport of myth or fairytale must use allegorical language.
-
I did grow up in Los Angeles. I actually didn't start acting until I was sixteen, so I was very removed from the Hollywood scene. I had always been in my school plays, but my mom and dad wanted to keep me out of the business until I was old enough to know who I was and not let anyone change me.
-
Capitalism proceeds through creative destruction. What is created is capitalism in a 'new and improved' form - and what is destroyed is self-sustaining capacity, livelihood and dignity of its innumerable and multiplied 'host organisms' into which all of us are drawn/seduced one way or another.
-
I started dancing when I was five, and I trained intensively as a competitive dancer up until the end of high school. I did all genres, and later on a did a lot of extra ballet on top of that. I actually got accepted to Julliard for dance during my senior year, but I ultimately turned it down to come to L.A. to act.
-
I've had moments in my life where it was all out on the table. Everything I had. I'm okay with that, because I had a strong belief that what I was doing other people could believe in it, too, if I can get it just right.
-
Stax was rejoicing in the difference in who we are, and that's what you see in the film.
