Ted Danson Quotes
'Cheers' was great. They paired me up with Shelley Long on this tiny bar set for the final audition. That was my first really big one, and we just clicked instantly – I still think I got the part because of Shelley.
Quotes to Explore
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Nietzsche claimed that his genius was in his nostrils and I think that is a very excellent place for it to be.
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I have been known as the minimal and conceptual artist for over five decades. I think I haven't changed much.
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I think I'm somebody who takes praise with a very big - probably too big - pinch of salt.
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Let us not be so naive as to think that revolution is just a matter of social or economic discontent.
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I think by laying it out for the viewer I'm avoiding the issue of bias.
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I'm a Christian, and I'm not judgmental towards anyone. I think that's really important.
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I always wanted to be honest with myself and to those who have had faith in me.
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I have an abundance of enthusiasm; however, it would be foolish to think I can predict a future that doesn't exist.
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I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
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Oprah is so bright, and her intelligence is so piercing that I don't think anyone who spends a few minutes with her isn't struck by that.
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The people are hungry: It is because those in authority eat up too much in taxes.
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The range of what we think and do is limited by what we fail to notice. And because we fail to notice that we fail to notice, there is little we can do to change; until we notice how failing to notice shapes our thoughts and deeds.
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I think Steve Jobs is a historic figure. He's not only a historic figure in business, but really in America.
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I have always been interested in having people fall into the image and be aware of their reaction first, and then think about the style.
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I think the CG is an instrument to create reality. I don't think it's an instrument to create a heightened reality.
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I think a lot of people think I'm doing kind of a character onstage, but what you're really getting is just me.
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I certainly think cameras ought to be in courtrooms.
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As a consumer, I don't create art, but I think whatever the message is, art has to touch you.
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I like to think my accent isn't strong enough, but it's funny: I get people coming up to me in America and saying I sound like Mel B. She's from Leeds. They just hear a British accent and probably can't quite work it out.
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I was watching TV and saw people with masks, weapons, and grenades. I thought, Is that really possible? Could we be here yet again? And go into civil war one more time?
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Human connection is the way things work. It's like a patronage system. You know somebody, and he knows somebody, and he knows somebody, and he knows the district governor, and it's okay.
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My grandma always had two gods: Jesus Christ and the United States of America. I was no different, and neither was anyone else I knew.
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It's funny, the hardest thing to do is to make something look like it's fast, loose and improvised, and get somebody to laugh.
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'Cheers' was great. They paired me up with Shelley Long on this tiny bar set for the final audition. That was my first really big one, and we just clicked instantly – I still think I got the part because of Shelley.
