Barbara Corcoran Quotes
I've been in real estate for my whole life, I've been trying to sharpshoot the market with my investments, I'm never right. All you need to do is get near the bottom. That's good enough.
Quotes to Explore
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I'm profoundly lucky. I really like it. I really like my work. I've liked it since I was 5 years old.
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There's a long tradition of black folks pleading with white people. It's a tradition that emerges from political necessity, so I get it; I'm just not very interested in it.
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If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
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I don't write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that's it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
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What is needed in the theater, in fact for all our art forms, is a vibrant critical tradition.
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You have to know you can first. How comes later.
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I went from being a jock to a hippie. It was a very clear-cut decision. I had to be one or the other. I had to forsake that other aspect of myself. Or thought that I had to, which is regrettable. Quickly, I was back in the pine trees with the hippies, listening to my Jimi Hendrix and my Janis Joplin and turning on, tuning in, and dropping out.
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I wanted to be Beetlejuice. I watched nonstop 'Beetlejuice' and 'The Princess Bride' growing up.
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Being an actress can be a little like being a girl in the '50s: You're stuck waiting by the phone, hoping that the boy you like will call.
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The airheads of Congress will keep their own plush healthcare plan - it's the rest of us guinea pigs who will be thrown to the wolves.
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I knew that life isn't always just about the Olympic gold medals and the sponsors.
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The new world economic order is not an exercise in philanthropy, but in enlightened self-interest for everyone concerned.
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You measure a democracy by the freedom it gives its dissidents, not the freedom it gives its assimilated conformists.
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In the '70s, my playing was completely untutored, but it sounded good to me, and I tried to find ways to make those very simple things work in more ambitious contexts.
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I didn't have any concept of Trainspotting being published. It was a selfish act. I did it for myself.
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The daily calendar seemed, to me, like a kind of cartoon black hole, and you didn't have to be a rocket scientist to know that that couldn't be sustained indefinitely. That's why I pulled the plug on that one after the '02 edition. Kind of a preemptive strike.
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When I see something, I go for it.
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I'd much rather be liked because people realize that I'm standing up for myself.
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My fears about where theater is going - it's the Hollywood model, where people are chasing the almighty dollar and making commercial decisions based on nothing more than generating income for themselves and their theaters.
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You can't always get what you want, but if you try sometimes, you might find, you get what you need.
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Paying good wages is not in opposition to good productivity.
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Before Hurricane Katrina, I always felt like I could come back home. And home was a real place, and also it had this mythical weight for me. Because of the way that Hurricane Katrina ripped everything away, it cast that idea in doubt.
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The Internet is fascinating but also stupid in a way. You only see two-dimensional images, and you think you've seen it and know it.
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I've been in real estate for my whole life, I've been trying to sharpshoot the market with my investments, I'm never right. All you need to do is get near the bottom. That's good enough.
