Barbara Corcoran Quotes
I've been in real estate for my whole life, I've been trying to sharpshoot the market with my investments, I'm never right. All you need to do is get near the bottom. That's good enough.
Quotes to Explore
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I'm profoundly lucky. I really like it. I really like my work. I've liked it since I was 5 years old.
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There's a long tradition of black folks pleading with white people. It's a tradition that emerges from political necessity, so I get it; I'm just not very interested in it.
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If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
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I don't write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that's it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
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What is needed in the theater, in fact for all our art forms, is a vibrant critical tradition.
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You have to know you can first. How comes later.
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I went from being a jock to a hippie. It was a very clear-cut decision. I had to be one or the other. I had to forsake that other aspect of myself. Or thought that I had to, which is regrettable. Quickly, I was back in the pine trees with the hippies, listening to my Jimi Hendrix and my Janis Joplin and turning on, tuning in, and dropping out.
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I wanted to be Beetlejuice. I watched nonstop 'Beetlejuice' and 'The Princess Bride' growing up.
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Being an actress can be a little like being a girl in the '50s: You're stuck waiting by the phone, hoping that the boy you like will call.
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The airheads of Congress will keep their own plush healthcare plan - it's the rest of us guinea pigs who will be thrown to the wolves.
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I knew that life isn't always just about the Olympic gold medals and the sponsors.
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You measure a democracy by the freedom it gives its dissidents, not the freedom it gives its assimilated conformists.
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In the '70s, my playing was completely untutored, but it sounded good to me, and I tried to find ways to make those very simple things work in more ambitious contexts.
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I didn't have any concept of Trainspotting being published. It was a selfish act. I did it for myself.
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The daily calendar seemed, to me, like a kind of cartoon black hole, and you didn't have to be a rocket scientist to know that that couldn't be sustained indefinitely. That's why I pulled the plug on that one after the '02 edition. Kind of a preemptive strike.
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When I see something, I go for it.
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I'd much rather be liked because people realize that I'm standing up for myself.
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I think it was Elisabeth Shue who said that if you start a movie with a woman seen through a man's eyes, that woman is objectified by him throughout.
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Certainly we were disappointed. But the thing that really kept us in our spirits was that the entire country was behind us.
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Once you start playing a piece, there is a connection between every note. You cannot say, 'I will not concentrate on this note.' You cannot ignore things the way you do in the rest of your life.
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A film should appeal to sophisticated, profound-thinking people while at the same time entertaining simplistic people. A truly good movie is really enjoyable too. There’s nothing complicated about it. A truly good movie is interesting and easy to understand.
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The works of present life are more important that the whole and entire reliance on wholesale blind fate.
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I've been in real estate for my whole life, I've been trying to sharpshoot the market with my investments, I'm never right. All you need to do is get near the bottom. That's good enough.
