Barry Diller Quotes
Quotes to Explore
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Women can't be afraid to look like action heroes. It's not always pretty, but when it's on the screen, it translates well to the audience.
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Humility is the foundation of all the other virtues hence, in the soul in which this virtue does not exist there cannot be any other virtue except in mere appearance.
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By the general process of epic poetry, I mean the way this form of art has constantly responded to the profound needs of the society in which it was made.
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To stay interested in tennis, I have to mix it up with other things.
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Everybody in the black community must organize, and then we decide whether we will have alliance with other people or not, but not until we are organized.
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My hope that Thatcher would inadvertently bring about a new political revolution was well and truly bogus. All that sprang out of Thatcherism were extreme financialisation, the triumph of the shopping mall over the corner store, the fetishisation of housing and Tony Blair.
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If you do not conquer self, you will be conquered by self.
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Like fragile ice anger passes away in time.
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I've always been excited by rotoscoping, the technique used in films like 'Waking Life,' which fuses animation with real-life emotion. It seemed like it was a process ripe for innovation.
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The publishing industry is an archaic and inefficient industry.
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Leaving Egypt and the people I loved so much, and the environment I liked, was definitely worth it, because I also have great love for medicine and science.
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I was always kind of florid. And full of rhetoric. That was my flaw. My whole time writing, I've had to work against that because it can be a wrecking posture.
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My songs are very personal, which means they are fantastically therapeutic to write, but performing them night after night is emotionally draining.
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Let the path be open to talent.
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I go back and forth between indie and studio because I feel like it, not because I feel obligated to do one or the other.
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If you're a basketball player, you've got to shoot.
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When I was in college, I was a semiotics major, which is this hopelessly pretentious body of French literary theory.
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I'm really familiar with what Cardboard's doing; it's not a novel concept. Cardboard is in many ways a direct ripoff of FOV2GO, a project I helped work on when I was at ICT, and it was fairly well known in the academic VR community.
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When I was a little girl, there was this unbelievably cool female bus driver who'd work near us. I remember thinking I'd like to be her when I grew up.
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When I found this opportunity to answer the ad, I got the job and I've been there ever since.
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The works of previous artists have come from their own experiences or insights but haven't given the experience itself. They had set themselves up as a sort of interpreter to the layman... Our interest is in a form where you realize that the media are just perception.
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Typically, a book is published and gets one season in the sun. Eventually, you write another book, and maybe your old books get a bump, but my books seem to keep being discovered and recommended to new people of all ages.
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Oh, I've been ridiculously lucky to work for, I'd say, five of the greatest directors of all time... and a lot of other great people, too.
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People, me included, have a truly emotional thing about this iPad.
