Alan Watts Quotes
The most strongly enforced of all known taboos is the taboo against knowing who or what you really are behind the mask of your apparently separate, independent, and isolated ego.
Quotes to Explore
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I'd love to do something where I can act and dance at the same time, like on Broadway or in movies.
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I'm twitchy. I think I've got ADD. I find it hard to sit down. I need to be constantly challenged; otherwise, I get very... well, I guess 'bored' is the word.
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There had always been black people in and out of our house, and from the outset I had been taught that for them life was defined by struggle and filled with injustice.
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Economic growth and human development need to go hand in hand. Human values need to be advocated vigorously.
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I don't ever want to stop making country, and I don't want to stop making electronic music, either.
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Hope is a great falsifier. Let good judgment keep her in check.
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That's the great thing with the WWE. They want you to be like John Cena, they want you to be like The Rock, and they definitely give you that platform.
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My hero wants to belong too, but he doesn't want to give up all the things he came to value in the west.
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Most men say they can cook pasta, but I think you should find a little bit of an unusual angle on your pasta and make that your signature dish.
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You've never seen a Columbine done by a black child. Never. They always say, 'We can't believe it happened here. We can't believe it's these suburban white kids.' It's only them!
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I don't talk about political matters. That's not my department.
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I think I have a strange relationship with time. I'm not really aware of that time passing. I don't feel that I'm wasteful with time. But I'm not aware of it passing.
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Especially if you're over 40, shortening the term of your loan to pay it off sooner could make you mortgage-free in retirement.
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I think as a filmmaker one should make all kinds of films. It is not that one should make only one kind of film. I love to see romantic films; I loved watching 'Dilwale Dulhaniya Le Jayenge,' 'Kuch Kuch Hota Hai.' If I make such films, I will make it with my yardstick, according to my parameters.
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Follow that will and that way which experience confirms to be your own.
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I think being recognized more is something you have to get used to, whether it's here or in California or when I'm traveling. It's more a part of my life. People recognize me from my play or a commercial I've done. It's just a normal part of life now.
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Everything is becoming science fiction. From the margins of an almost invisible literature has sprung the intact reality of the 20th century.
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Art is subject to arbitrary fashion.
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I got snubbed about eight times for the Mid-Summer Classic, and I know what type of career I had, and I know that I'm a true All-Star. The selection process is not very accurate.
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I am the jongleur. I leap and pirouette, and make you laugh. I make fun of those in power, and I show you how puffed up and conceited are the big shots who go around making wars in which we are the ones who get slaughtered. I reveal them for what they are. I pull out the plug, and... pssss... they deflate.
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I've learned that you can never predict what will happen to a film. You can never predict if people will love it, if they'll hate it. It's an act of ego if you're hoping for everyone to love the film and tell you how great you are.
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French novels generally treat of the relations of women to the world and to lovers, after marriage; consequently there is a great deal in French novels about adultery, about improper relations between the sexes, about many things which the English public would not allow.
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The most strongly enforced of all known taboos is the taboo against knowing who or what you really are behind the mask of your apparently separate, independent, and isolated ego.
