Albert Camus Quotes
Quotes to Explore
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I love the game and I am so lucky to be able to do what I love.
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I can tell you I'm not exactly sure why I teach. I think a lot of it is just it's the sense of community. A real desire to be involved both with people older than myself and people younger.
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There is not a more repulsive spectacle than on old man who will not forsake the world, which has already forsaken him.
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My weekends are oases of time and space, where I am able to draw a breath and dive into the stuff I couldn't get to that week - the great article I bookmarked, the friend whose emails I kept dropping, the blog post I'd meant to write on a subject that wasn't timely but was still important.
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I always say that I'm at my best when there's no example of what the character is supposed to be. I thrive when there's not much and I have to create it.
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The three theater peeps I would love to dine with are Mel Brooks, because he is so funny; Stephen Sondheim, because he is a god-like genius; and Ethel Merman, to compare notes on fabulous belting.
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We are born believing. A man bears beliefs as a tree bears apples.
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I have a temper, but I wouldn't call me abusive.
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Fashion is unique. It's a leveler, not a divider.
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Some people don't understand that I - as an artist and a person - I want to make my own decisions and create the music that I personally like.
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I have music in my brain all the time, all sorts.
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All bad qualities centre round the ego. When the ego is gone, Realisation results by itself. There are neither good nor bad qualities in the Self. The Self is free from all qualities. Qualities pertain to the mind only.
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I think we brothers realised his loss more and more as we grew older. We actually grew closer after his death.
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Most of all, I want to thank you for all the generous advance coverage you've given me in anticipation of a successful career. When I actually do something, we'll let you know.
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I am not in favor of concealed weapons. I think that creates a potential atmosphere where more innocent people could (get shot during) altercations.
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Sam is a repetitive, comic process that merely marks time: he gets nowhere, but then he doesn’t want to get anywhere. Although there is no possibility of any real change in Sam, he never stops changing: Sam stays there inside Sam, getting less and less like the rest of mankind and more and more like Sam, Sam squared, Sam cubed, Sam to the nth.
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The agitator must stand outside of organizations, with no bread to earn, no candidate to elect, no party to save, no object but truth - to tear a question open and riddle it with light.
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This leads to the paradox, that because the disease is only in the poor countries, there is not much investment. For example, there is more money put into baldness drugs, than are put into malaria. Now, baldness, it is a terrible thing audience laughter and rich men are afflicted, so that is why that priority is set.
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I'm undisputed and there's no disputing that.
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With every experience, you alone are painting your own canvas, thought by thought, choice by choice.
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I think that's such an important message, especially for younger women, to know, 'I don't have to come out of the womb painting like Frida Kahlo. My very first thing that I make isn't going to be an around-the-world sensation.' You have to paint a hundred really ugly, barfy, diarrhea paintings before you come up with that one where you start to really get into your groove.
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In Holland, everyone is an expert in painting and in tulips.
