Laeta Kalogridis Quotes
Quotes to Explore
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It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
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Many fans were surprised when they learned that the little girl in drama 'Stairway To Heaven' was me.
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I'd previously done 'Expelled,' and that was more on the comedy side, so I really wanted to challenge myself and see if I could actually do a drama.
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I think every high school student who was alert during the early '60s got very embittered by the slow progress and the violence surrounding the Civil Rights Movement.
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The most famous person in my phone is Lindsay Lohan. We starred in 'Confessions of a Teenage Drama Queen' together in 2004 and we've stayed in touch.
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The Polish freedom movement of 1968 lost its confrontation with police violence; the Prague Spring was crushed by the armies of five Warsaw Pact members. But in both countries, 1968 gave birth to a new political consciousness.
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What allows us, as human beings, to psychologically survive life on earth, with all of its pain, drama, and challenges, is a sense of purpose and meaning.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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Because the world is in economic recession, which worsened since this drama happened, and our country will bear the burden of all of these consequences.
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I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore, and I am very squeamish about violence, but Tarantino's violence is actually funny.
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Outside of 'Justified,' I do like to keep it to comedy. When I'm not there, I try to seek out stuff that sort of more along the lighter fare. I have more fun on those sets than I do on drama sets just because when it's heavy, it's heavy, and it's hard to get away from it.
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I have never made a threat. I've never made a threat, never expressed a threat, never - I've never - I would never threaten violence ever, because I am a man of peace, dedicated to peace.
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Violence, even well intentioned, always rebounds upon oneself.
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I probably prefer comedy. Why? I'm not sure. I feel like the energy of a comedy is a better fit for me. I try to be a happy guy! It seems that most of my life has the energy more for a comedy than for drama. I'm grateful to do both, but I would have to lean towards the comedy side of acting.
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Describing passive violence in this culture is kinda like someone who is drowning in the middle of the ocean giving you the low-down on water. The only way you can really understand passive violence is by going somewhere far, far away from phones, news, TV, the Internet.
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Drama can feel like therapy whereas comedy feels like there's been a pressure and a weight lifted off of you. You come to work and you laugh all day, you go home and you feel light and there's a certain feeling when you're sitting with the audience and they leave after 90 minutes and it's just pure escapism and they're happy.
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I didn't go to drama school, so I feel like I did all my growing up on 'Hollyoaks.'
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I moved to New York to go to Julliard Drama School. Didn't sing a single note of music.
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When it gets down to having to use violence, then you are playing the system’s game. The establishment will irritate you – pull your beard, flick your face – to make you fight. Because once they’ve got you violent, then they know how to handle you. The only thing they don’t know how to handle is non-violence and humor.
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When you have girl children they torture you!
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Lacan is a tyrant who must be driven from our shores. Narrowly trained English professors who know nothing of art history or popular culture think they can just wade in with Lacan and trash everything in sight.
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Each step of the way, I'm learning. When I leave an interview, I learn whether I feel, 'Oh, that was nice,' or that made me feel like a little piece of me was taken.
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Individuals bearing witness cannot do the work of social movements, but they can break a corrosive and demoralizing silence.
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Violence in drama is an external contextualization of internal conflicts.
