Anais Nin Quotes
Quotes to Explore
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Though many people said there is no joint border between Turkey and Montenegro, it feels like we are next to each other. We are in the same neighborhood.
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You know when you're 14 and terrified to talk to a girl? I didn't suffer much from that. It seemed very natural to me to talk to girls.
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I only buy a computer when it's two years old, after the glitches have been worked out.
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The typical workday, particularly in startup mode, is from nine to six or nine to seven, then you take a two-hour break to work out and eat dinner. By that time, you're relaxed, and then you work until midnight or one A.M. If there was no break with physical activity, you'd be more tired and less alert.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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I just always wanted to be left alone to go into a creative space.
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It should take you 15 minutes to make a song, and then get out of there.
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You can over-think things. If the script's good, everything you need is in there. I just try and feel it and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorising rather than being real.
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I don't make resolutions, because resolutions seem so ephemeral and transient to go away.
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It is a political thriller. It's very action packed and it's very exciting, but at the same time it's a very big soulful love story about longing and loss. They're not separate, they're completely dependent on one another.
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I'm a military guy. I'm not a political character.
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The transition between life in red-state America and life in the Arab capital was at times overwhelming because of the traditional segregation of men and women in many public and private settings.
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My own idea is that these things are as piffle before the wind.
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The days of the painter at the Bauhaus appear to be truly over. They are estranged from the actual core of present activities, and their influence is more restricting than inspiring.
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Los Angeles is a microcosm of the United States. If L.A. falls, the country falls.
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I have one talent, and that's figuring out what people want about two minutes before they know it themselves.
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Everybody likes a compliment.
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I played Miley Cyrus' grandma on 'Hannah Montana,' and the first time I was on, they said, 'We love having veterans like you on because she's like a little sponge, and she's really appreciative of all the veterans that are coming on the show, and we just love that you're teaching her.'
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With 'Nip/Tuck,' I had never even done anything before I got on that show. They created that character for me. I was reading for something else.
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I don't think business news is just for old white men with money.
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When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking.
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The real problem is not whether machines think but whether men do.
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Try leaving a trail of little sparks of gratitude on your daily trips. You will be surprised how they will set small flames of friendship that will be rose beacons on your next visit.
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What I cannot love, I overlook. Is that real friendship?
