Ansel Adams Quotes
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Notebook. No photographer should be without one!
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I would never apologize for photographing rocks. Rocks can be very beautiful. But, yes, people have asked why I don’t put people into my pictures of the natural scene. I respond, 'There are always two people in every picture: the photographer and the viewer.' That usually doesn’t go over at all.
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There are no rules for good photographs, there are only good photographs.
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Both the grand and the intimate aspects of nature can be revealed in the expressive photograph. Both can stir enduring affirmations and discoveries, and can surely help the spectator in his search for identification with the vast world of natural beauty and wonder surrounding him.
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I think we can not categorize. Things do not fit into a mold.
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I have often had a retrospective vision where everything in my past life seems to fall with significance into logical sequence.
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Knowing what I know now, any photographer worth his salt could make some beautiful things with pinhole cameras.
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The term accessories has come to include a host of photographic gadgets of questionable value.
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I've always thought photography was an art form, but it had very low appreciation in the beginning, except for some Europeans, and of course Stieglitz. Stieglitz always considered photography to be an art form and is the "father" of the creative concepts of the twentieth century.
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One of the most important pieces of equipment, for the photographer who really wants to improve, is a great big wastepaper basket.
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We all move on the fringes of eternity and are sometimes granted vistas through fabric of illusion. Many refuse to admit it: I feel a mystery exists. There are certain times, when, as on the whisper of the wind, there comes a clear and quiet realization that there is indeed a presence in the world, a nonhuman entity that is not necessarily inhuman.
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With all art expression, when something is seen, it is a vivid experience, sudden, compelling, and inevitable.
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All art is a vision penetrating the illusions of reality, and photography is one form of this vision and revelation.
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To visualize an image (in whole or in part) is to see clearly in the mind prior to exposure, a continuous projection from composing the image through the final print.
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The piano has eighty-eight keys, and you have to be able to play all of them. And the range of white to black is analogous to the eighty-eight keys and you have to be able to play all eighty-eight keys in that palette from white to black.
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Now there is a big turnover in the galleries. The top galleries are getting better all the time. A lot of galleries just struggle along, then a new one comes along. There are certainly a great number of galleries. I think this argues well for the art but there are, of course, a lot of "phonies" in all the arts.
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Not everybody trusts paintings but people believe photographs.
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It is just as important to bring people the evidence of the beauty of the world of nature and of man as it is to give them a document of ugliness, squalor, and despair.
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There still is some opposition to it in some museums and art schools, but I think photography has really grown into a mature art form.
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The photo-journalist and the photo-poet are both important. The problem is to separate the major objectives of the various groups and not to attribute qualities and intentions where they do not belong.
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I know the importance of highly trained awareness of the “moment” and the immediate and intuitive response of the photographer. It should be obvious to all that photographers whose images possess character and quality have attained them only by continued practice and total dedication to the medium.
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The single most important component of a camera is the twelve inches behind it!
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A true photograph need not be explained, nor can it be contained in words.
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The negative is comparable to the composer's score and the print to its performance. Each performance differs in subtle ways.