Lauren Conrad Quotes
Quotes to Explore
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I always watch the work I do.
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I think people do their bravest work when given an elusive canvas. That would be seemingly the weirdest, but also the most wonderful.
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This is the conundrum of the present regimes in the Arab world. They still want to control youth; they want to be in control as they did in the 1950s and '60s. But that doesn't work anymore. Now with just a Wi-Fi link, you can understand what's happening in the world.
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Being on TV sucks. It's a lot of work. You memorize scripts and then you show up and they change everything. I'm a control freak. When I'm doing stand-up, I say what I want and then I get instant feedback.
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I would say 'The Master' was one of the most inspiring things I've ever got to work on.
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Grief is a terrible, painful place. You can't grind away on grief in a solid way and say, 'I'm going to work on this until it's over' because it will be with you for the rest of your life, whatever you do. So, you deal with it and move on.
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I would love to work with Raju Hirani. I never thought I would have a wish-list of directors as such, but after seeing the consistency of his storylines and the human touch he gets in his film, I would love to work with him.
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In my theater work, I've had much more three-dimensional, broader-stroke characters.
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We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
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Glory is attained from hard work, step by step.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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I was so worried when I left 'GH:' so scared I'd never work again.
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One of the peculiarities of Delhi is that the term 'reform' is associated only with passing of laws in Parliament. In fact, the most important reforms are those needed, without new laws, at various level of the government, in work practices and procedures.
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I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.
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Just for you to know, people, models, are very smart. We're investing money in the right way, and, you know, a modeling job I'm taking as a businesswoman. So it's not fun for me; it's work.
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I think great artists have no time to waste with having disproportionate egos and irrational requests. They're too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
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I come from a simple background, so I couldn't call my father and say, 'Come pay my bills,' so I had to get out there and work.
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'Cold Case' was fun. It was a fun experience. That was right when I was cutting my teeth as a TV actor. It was a great learning experience to work on really fast-paced television shows that are very high quality. It was a place where I learned that I had to keep up and I could keep up.
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When I was young, I liked to be acknowledged in class by little gestures such as a small red star for doing something good. Now that I'm older, I still want to be acknowledged for good work.
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That's the only reason I'm here. I don't need to play the game for any other reason than to win a championship.
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It's not just hours and pay that are important anymore. People want to know what the company is like, what the culture is.
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If you go on TV and say there's no other country in the world where you can be born poor and become rich, you get a huge megaphone. If you tell the truth, which is that most of the studies show actually the United States is worse than anybody except Britain in upward mobility, there is no audience for you.
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One of the good things about the way the Gulf War ended in 1991 is, you'd see the Vietnam veterans marching with the Gulf War veterans.
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When you do multiple things you love, it doesn't feel like work.
