Al Pacino Quotes
Any project that I find encouraging that isn't attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
Quotes to Explore
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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I had an interest in Scandinavian countries because I'd never seen snow.
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Characters who don't suffer have no interest to me.
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I have decided that I won't take up assignments that don't interest me.
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I was always active, always running and working out. I was a wrestler and ran track and, out of interest, started boxing. It's always been a part of me.
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I enjoy encouraging and inspiring people to pursue their purpose in the arts. To help cultivate and develop their instrument.
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We allow no geniuses around our Studio.
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You remember driving your kids to Little League, and they're nervous about making the team, and you're encouraging them. Forty years down the road, we're having the same conversation. Only it's about the Ravens and Steelers, or Stanford and Cal.
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I have no interest in making a work that doesn't elicit a feeling.
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I have no interest in directing. I've no talent for it.
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You cannot further the Brotherhood of Man by encouraging class hatred.
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We do not project power from bankruptcy court. We're borrowing a million dollars a minute. It's got to stop somewhere.
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My priority will continue to be that we maintain the optimal balance to be able to invest in education and infrastructure while encouraging business growth.
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If I had high-ticker 10 percent financing, which would probably be the market rate, I would have to dump stuff. The interest payments would be killing me.
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The West has demonstrated its ability in the past to project power and move troops to distant regions.
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I would like the thrill of making a new project every time.
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When I was eleven, I got cast in the last directorial project of Christopher Reeve.
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The rate of interest acts as a link between income-value and capital-value.
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I did not have a computer until recently. I'm not really a computer person; I'm really hands-on. I can't make it work if it's all behind the black curtain. It doesn't interest me. I want to see what's actually happening back there.
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What interests me most is when a work of art is no longer just an object, but also touches reality and life.
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Anything looked at closely becomes wonderful.
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I think the way it works is that when you're casting a movie, you usually want to work with people that you believe in.
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Any project that I find encouraging that isn't attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
