Laurence Fishburne Quotes
I work with my instincts. I don't have a process that I learned in an acting class whereby I break a script down or whereby I do a certain kind of research.
Quotes to Explore
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You might not agree with me, but I always offer a lot of support.
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Hip-hop is a vehicle.
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Humor's always been the problem of my work, hasn't it? When working, I feel satisfied when I surprise myself. And when I surprise myself, I wind up laughing.
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I'm not politically correct.
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In the search for culpability for the tragedy in Ferguson, I mostly blame politicians.
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I think one problem we've had is that people who are smart and creative and innovative as engineers went into financial engineering.
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We are going to have to discuss with and seek the opinions of other countries. We don't wish to offend anyone, least of all a country we hold in such deep regard as the United Kingdom.
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Comedy is a great weapon of attack. It's not a great weapon of support.
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There is nothing like singing a song that 20,000 people know and are singing back to you.
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I'd love to play a Bond villain. Yeah, I'd love to play a Bond villain. Everyone always says this to me; they always say, 'You've got to be a Bond villain', 'We're going to make you a Bond villain...' But they've never, ever approached me, I've never had a whiff of it. I think I'd love to play a Bond villain; I'd have great fun.
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In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
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People don't slip. Time catches up with them.
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I loved experiencing city life in New York.
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Common man is always benefited by a rate cut.
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I played Woodstock in '69, and it really changed my life. Without a doubt, it was the single event that really changed the way I felt about music. Up to that point, I hadn't really thought of myself as more serious musician, and I didn't really have that much interest in pop music.
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My life has become a reality show. When I am home, people are climbing trees with cameras. I feel that my personal space is being encroached upon. I will try and protect it as much as I can.
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It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
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South Africa is labouring to find its revolutionary path; the colours of the Rainbow Nation have difficulty blending together; the wealthy elites (white, black or Indian) profit from de facto segregation.
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I had a house in Haiti, in the hills above the North Atlantic coast. The house appeared as if out of a dream: my dream to have a foothold in the country. Like many concepts do in Haiti, the phrase 'pied a terre' became literal, material.
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When you take a shower in space, you have to press the water onto your body to clean yourself, and then you gotta vacuum it off.
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The Hubble Space Telescope, which was designed for extreme servicing, you know, we can fix everything. And the James Webb Space Telescope, where we can fix nothing. It has to work the first time. And it's a very complicated telescope.
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I work with my instincts. I don't have a process that I learned in an acting class whereby I break a script down or whereby I do a certain kind of research.
