Laurie Metcalf Quotes
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Onstage I'm the one in control - I'm not at the mercy of how an editor chooses to put the scene together later. I can do things onstage that I would never do in real life. It's very freeing.
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That was the beauty of 'Roseanne' and Roseanne herself. It could go dark; it could do issues.
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I like contemporary, bare-boned writing. I don't like having the language that I barely understand get in the way of me interpreting it over to an audience. It's this barrier that I don't want to have to attack.
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Theater opened up a whole new world for me. It was a freedom I'd never known before.
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I work just as hard and have just as much fun whether in a 50-seat house or in a 1000-seat house. It's a luxury to be in a tiny space every once in a while and a rush to be on a giant stage every once in a while.
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You know, if a TV show dropped into my lap out of the blue, I would have a hard time turning it down because there just isn't the money in theater that there is on TV.
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A dream job is to walk right past hair and makeup.
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I don't like working in front of a camera.
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I tend to root for characters who have a lot of negative qualities, but what's driving them forward is their passion. They're on a mission, and maybe their approach is misguided, but you can't fault them for giving 150%.
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'Three Tall Women' is kind of fascinating. I had never seen it itself, and I imagine the audience will find it very intriguing to watch the reveal of who these people are and how they interact in the second act.
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When I get a beautifully written piece of material, I immediately start imagining how I would interpret it. I love just daydreaming about it for months, breaking it down, seeing where I can spin something. How I can turn this into the most fun ride for the audience that I can make it? That's my job.
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No matter how many times you've done it, the early stages of getting a show up on its feet is very hit and miss. There seem to be thousands of options on every page to discover.
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I don't like the camera. I get very self-conscious with it and then spend way too much time not looking self-conscious instead of being free, as I do on stage, to do my work.
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I used to drive myself crazy by thinking, three days later, 'Ugh, why didn't I play it like that? Ugh, now that line makes sense to me.'
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When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie.
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Really, I'll go anywhere at any time to continue working in theater - it's a passion that I'm thankful I still have. It keeps me creative and on my toes and meeting great people. I can't imagine a better way of working than on a play.
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I was horribly shy all through grade school and high school. But somehow I got up the nerve to audition for one play in high school - 'Auntie Mame.' I got a small part as the fiancee who comes on in the end. I got laughs. I wasn't shy at all doing the part. I can do anything on stage and write it off as a character.
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I had accidentally gotten a laugh on a line in a play I was in during high school. I got hooked, but I had no idea I would ever be able to support myself by acting. I knew no one in the business. I was from the Midwest. No one within a radius of a thousand miles was doing anything like that.
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I watch the Oscars in my pajamas like everybody else.
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I don't know if ISU helped me become what I am, but I know that if I hadn't gone there, I wouldn't be what I am today.
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I like to play a wide range of characters. The more they're unlike me, the better I like it.
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I am a kind of competitive person. I am competitive with myself. I won't let anything go until I am satisfied with how it is.
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I'm hideously shy as myself, but on stage I can run around naked and bite the heads off fish.
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I wasn't turning down film roles, let's put it that way. I was never really on that radar.