Laurie Metcalf Quotes
Onstage I'm the one in control - I'm not at the mercy of how an editor chooses to put the scene together later. I can do things onstage that I would never do in real life. It's very freeing.
Quotes to Explore
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God doesn't want us to merely sit around dreaming about things we can do and be. That's a good place to start, but a poor place to stop. God wants us to turn our dreams into action.
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Orchestra had a little brass ensemble on two tracks as well, but the rest was me. I knew I couldn't continue in this direction, even if people liked it, because I can only duplicate myself.
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Alienation as our present destiny is achieved only by outrageous violence perpetrated by human beings on human beings.
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Elvis was a big influence to my music, but Loretta Lynn was, as well.
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My desire to be an artist really came out of being broke and unemployed and incapable of holding a job down. That's what it was driven by for sure.
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I love speaking at schools. That's always my favorite because I wish I'd had someone who was like me come speak at my school.
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Celine Dion is my major inspiration.
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I always wanted pink hair.
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I think an encore is perfectly acceptable, but I find it so weird when people do two or three.
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The best a health care system can do is to equip itself to meet the needs of each individual woman and birth. Those needs run the gamut from undisturbed home birth to planned cesarean section.
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Custom reconciles us to everything.
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Not everybody is a great rapper; not everybody lives for the art of lyricism.
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When the curtain falls, the best thing an actor can do is to go away.
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I left home at 17 and I've been on the road ever since.
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I got a gymnastics scholarship to college, fell in love with my true love of my whole life - who I'm married to now - and he was a virgin too. It was very romantic.
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It was sort of that in-between area when people don't talk about their personal lives. That's the kind of life I think Kerry would be living now if it weren't for the Lopez character sort of outing her.
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A lot of my writer friends - some of whom are brilliant - work when the Muse calls them, for lack of a better description. You know, days of nothing, then this creative burst where they write for 36 hours straight fueled by caffeine and idealism.
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I want people to notice my writing abilities are real and that I'm not just stuck in one situation.
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You're living your life the entire time in both worlds - it's not like they say, 'Action' and you're like, 'Here we go, we're in this thing,' because that's where bad acting comes from.
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Try hard to find out what you're good at and what your passions are, and where the two converge, and build your life around that.
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Well the least favourite question is the one that one's asked particularly about in Japan is what's the difference between theatre and cinema and I think, well, that's about eighty bucks.
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In The Touch, the love scenes are the same as they were in The Thorn Birds or anything else Ive ever written. I find a way of saying that either it was heaven or hell but in a way that still leaves room for the reader to use their own imagination.
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Onstage I'm the one in control - I'm not at the mercy of how an editor chooses to put the scene together later. I can do things onstage that I would never do in real life. It's very freeing.
