Laurie Metcalf Quotes
I don't like the camera. I get very self-conscious with it and then spend way too much time not looking self-conscious instead of being free, as I do on stage, to do my work.
Quotes to Explore
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I think you grow up every year, every day. You learn something new and try to really worry about what's important in life.
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Hair is a huge part of who I am and what I obsess over - I've had long hair my entire life.
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The resolution has made a real threat of war go away and opens the way for further work in the interests of a political- diplomatic settlement of the situation around Iraq.
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I was on 'SVU' for 11 years. I developed a muscle in my brain that could memorize things much more easily than people who don't do it every day. I got used to the language, and some of it got to be repetitive language, so you build your vocabulary.
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I identified in a very deep way with the individuals I was writing about because the theme that runs through this story is of extraordinary hardship and the will to overcome it.
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Because the nights bring the threat of invasion and terror to the villages, thousands of children in northern Uganda have become night commuters, leaving the nightmare of capture behind for the safety of the city.
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I ran for Congress in 2012 because I had had enough. Enough of career politicians, enough of political gamesmanship, and enough of the lack of leadership in Washington.
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Give a boy address and accomplishments and you give him the mastery of palaces and fortunes where he goes.
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The ideas keep going, you have the material, you cut because there's a limit to the space allowed to you. And the space is limited because of some other constraints that have to do with money or printing or whatever.
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Church was a requirement - there was no choice in the matter; so was vacation bible school. Gospel has been in me since I was a kid.
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I was the family alien. Both my parents are quite creative, but I was... appalling... always putting on little shows. I was rather a shy child, not a natural performer, but there was a performative edge to everything I did.
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The industrial thing came about mainly through giving up trying to write pop songs in the early '90s. I don't think I was ever very good at pop music and as soon as I stopped trying, and started to write more the things I loved, it became much heavier and more aggressive.
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Mulberry Street was the beating heart of the Italian-American experience, but you don't find those gangsters now. I live with a bunch of yuppies and models.
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Al Qaeda has overplayed their hand. What the al Qaeda do when they go into a town or village or a neighborhood inside a major city is they get a stranglehold on the people themselves. They force the men to wear beards and the women to be properly costumed and essentially completely covered up.
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I have lifestyle requirements. Photos, meetings, lunches, dinners, facial care, tooth care. It requires an exorbitant amount of money.
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I'm a big fan of community, and I think independence is over-rated.
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At the end of the day, yes, I'm looking to create a lot of wealth.
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If I need something, even a pair of socks, my assistant has to get them for me.
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I grew up a Saints fan, an hour from the Superdome.
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I actually do bits of my writing in sort of incidental spaces - when I'm traveling on the Tube or on a bus. More often than not, it's a reaction to how you feel about something, and if you're sitting down and concentrating on, 'I must write something,' then you can't have a truthful reaction.
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A democracy exists whenever those who are free and are not well-off, being in the majority, are in sovereign control of government, an oligarchy when control lies with the rich and better-born, these being few.
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When you are close allies and good friends, like Denmark and the U.S. are, there should also be room for disagreements along the way.
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I'm working alongside the White House and other members in the House to lessen the tax burden that currently weighs on so many Oklahomans.
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I don't like the camera. I get very self-conscious with it and then spend way too much time not looking self-conscious instead of being free, as I do on stage, to do my work.
