Leanne Caret Quotes
Quotes to Explore
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A lot has been written about Tony Perkins and myself and I figured, Let's get it straight. I had a relationship with Tony for two to three years, but those are only threads in the tapestry of my whole life.
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In terms of relationships, I've had two failures, although I don't like to call them failures; they are self learning, and I cannot say I regret any of my relationships. I've always said that I am a much loved woman.
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When I lived in Egypt, we always wore kaftans. I had cashmere kaftans from Halston. You put on a kaftan in your backyard, and it's like you're in Ibiza.
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There's a plaque on our wall that says we've sold over 65 million albums, and I don't feel I've accomplished anything. I feel like I'm just getting started.
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I'm the type of person who doesn't want to sit alone in a restaurant or bar.
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Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
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I feel that we don't have the luxury of asking whether or not the Palestinians and Israelis can achieve peace. I think we have to just ask the question of when and how.
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I'm not frightened about terrorism. I'm frightened about the roots of what we call terrorism.
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Just personally, I've been attached to 'On the Road' since 2007 and it was the greatest thing in my life when I got cast in it. I couldn't believe it. When I was 17 and read the book, I looked it up on IMDb and it said that Francis Ford Coppola was going to direct it.
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I don't think a living being should suffer for the sake of fashion, period. End of story. You don't have to kill an animal just because you want to be hot and fly. And I really stand by that.
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I chose to treat the homosexuality like I would treat any other form of sexuality.
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Hollywood's not knocking on our door. They're banging down the door with a sledgehammer.
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My work is like a dialogue between me and unseen powers, like alchemy.
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When I was little, I wasn't so little. I had a big old round belly and I was really clumsy, but I was super confident.
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Daytime soap operas, which I used to adore, have been declining in quality and importance for over a decade, and I gradually stopped monitoring them.
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When I first began to write, I was writing on bass, because I was thinking more Public Image, more dub.
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What's happened has happened, so what can we do to make it better for tomorrow and the day after? That's why we're here.
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I just want to make it clear that I have been working since I was ten years old.
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Certain people want to see me solely as a pop act, but there are many different sides to Christina Aguilera besides the pop girl.
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I really tried to push every genre that I could into this record. I wanted every song to have this feel, where as soon as the listener tunes in, they say "That's CoJo, that's Cody right there." That being said, it is a little different. There's Americana, there's Bluegrass, there's some rock, there's some really George Jones-style stuff on it, slow-style Ray Price country elements, there's some modern country, a little of this and a little of that. We tried to push a lot for show versatility, because I grew up with a lot of versatility in my music.
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(To someone at New York University) If you consistently take an antagonistic approach, however, people are going to start thinking you're from New York.
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I'll say this: I'm not so sure 'The Jetsons' had it so wrong.
