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	That's the privilege of old age: You don't have to remember.   
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	I don't live in L.A. on purpose because I don't wanna be immersed in that. I have to have a real life, with real people, in order to inform what I'm doing; otherwise, it just becomes the snake eating its own tail. Vampirism.   
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	No matter what you do or where you are, you're going to be missing out on something.   
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	I'm used to changing a lot of the dialogue. But if I feel like the script is working, I don't want to mess with it.   
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	I wanted to make it in New York. I thought if I went out to the Midwest, I'd be burying myself. But I was wrong.   
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	What I look for these days is that I don't have long speeches, the characters gets to sit down a lot, I don't have to learn any foreign languages, and it doesn't shoot in Minneapolis in February. That's mainly what I look for.   
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	I was terrified of being on stage, and I had to work very hard at a craft to get past that.   
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	There have been times when I've been broke, and a job came along, and I've said, 'Yeah! Let's do it!' But I will never do something without having a feeling of knowing how to play it. I've been in projects that I felt terrible about afterwards, but I've always had something that sparked me while I was doing it.   
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	I used to have a lot of philosophies of acting; they all fell apart over the years.   
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	I don't care about names attached to the script. That doesn't matter to me. All things being equal, I would like to work with a good script with a good director, and the part I play is of less important than those two factors.   
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	I don't like improvising on camera, particularly, but very often, a scene will not be working, and you rehearse it once or twice, and you realize something's missing. So I'll play with it until it makes sense.   
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	I don't know why we have to put things in boxes of superlatives. That isolates them. Life is fluid, and the minute you start trying to put a line around something, it will deceive you and go away.   
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	'Catch-22' was a huge failure, and it rubbed off on everybody connected to it. I had a bunch of lean years where I had to do things, a lot of which I wasn't wildly enthusiastic about.   
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	Marriage requires searing honesty at all costs. I learned that from my third wife.   
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	I want to feel like I'm doing something creative and trying different things, putting different hats on and playing. I don't know what's the point otherwise; otherwise, it's just a job. You punch a time clock.   
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	It's - everybody's looking at the bottom line all the time, and failure doesn't look good on the bottom line, and yet you don't learn anything without failing.   
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	Every physicist knows that things connect with each other. To isolate things is not the way the universe works - winning best actor is arbitrary.   
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	TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything.   
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	I'm not sure if I've learned anything from show business. Life in general has taught me if you're kind to people, everything gets easier. Being a decent person really smoothes the way for you and everyone else.   
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	I'm an actor. My life as an actor depends on who sends me what. I'm just taking the best stuff that I can find that's sent my way, regardless of how big or little the paycheck is.   
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	I'm as old as I am, and I don't try to hide it. It's not a big deal.   
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	I don't mind watching plays once in a while, but as long as I don't have to be in them.   
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	I never had a better role than I had in 'Little Miss Sunshine.' That was one of my favorite roles ever.   
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	Everybody's career has ups and downs. I like to take chances; I don't like to stand still. And I don't give a damn what the market is interested in; I want to try things.   
