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I'm very old. I haven't got time to be charming.
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I never had a better role than I had in 'Little Miss Sunshine.' That was one of my favorite roles ever.
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It's murder to doubt yourself in life. It took until I was 45 to get to that point. As hard as it is in your work, it's harder in your life. But it can be done.
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TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything.
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It's not that there is a terrible morality in Hollywood. I think there isn't any. There isn't any, by and large.
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I don't believe in competitions between artists. This is insane. Who has the authority to say someone is better?
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I had to jump around in the arts for a while just to survive. I earned a little money here and there, playing the guitar at union meetings, functions. I sold some science-fiction stories. I knew there was absolutely no question of me not being connected with the arts, but I couldn't find any acting jobs.
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I love insane, stupid comedy, but I can only make it work if it's a character I can give some history to and make real. Like the guy I played in 'Little Miss Sunshine.' He's a maniac, but to me he was absolutely believable.
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I would rather die than do a play - 10 years in solitary instead.
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I can't even pretend to play golf.
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If you want to be an actor and you love acting, you can do it whether you're doing something else or not. You can be connected with community theater or make your own little movies. But if you want to be a movie star, you've got a tough road ahead of you.
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I don't believe there's anything in life you can't go back and fix. The ancient Vedas - the oldest Hindu philosophy - and modern science agree that time is an illusion. If that's true, there's no such thing as a past or a future - it's all one huge now. So what you fix now affects the past and the future.
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I gotta make a living. I make no bones about that. Most actors do. But within that context, I've never not tried to make something as fresh and alive as I possibly could make it.
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I had a hard time treating my field as if it's horse racing, putting actors in competition against each other. I see how the industry and the studios feel it's important, but I don't really have a feeling for being in competition. I want to feel sympathetic and close to others, not opposed to them.
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A director without a vision is a catastrophe.
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I did a couple of movies in Brazil, and the actors were incredibly congenial and hung out together a lot. Even the biggest stars would do radio commercials - they're not put on a pedestal like they are in the United States.
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But one of the things I learned from improvising is that all of life is an improvisation, whether you like it or not. Some of the greatest scientific discoveries of the 20th century came out of people dropping things.
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Unless you're doing Shakespeare or Chekhov... the written word is not sacrosanct.
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The years I spent paying my dues are in the background, and so are my concerns about whether my performance is good or bad.
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My favorite thing about making movies is that it's the only area of human life that I've ever discovered where I can walk away from somebody in the middle of a conversation with somebody and they won't be offended.
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I don't sense that I am someone's hero, though I'm happy when people like my work. I've learned how to be gracious about it, but I try to let it go by. I've seen how, if people start taking on those accolades, it can ruin them completely.
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Something I miss terribly from the '60s - the most important phrase in the English language was, 'I got hung up.' Somebody says they got hung up, it's unassailable, you know? You don't go near that. Whoa! I know what that can be like.
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Filmmakers, they tell me they want to make movies. I say, 'Good, go out, buy a $500 camera, get some friends and make a movie. Don't go to Hollywood. Stay wherever you are.'
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You have to think of your career the way you look at the ocean, deciding which wave you're gonna take and which waves you're not gonna take. Some of the waves are going to be big, some are gonna be small, sometimes the sea is going to be calm. Your career is not going to be one steady march upward to glory.