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I'm a Buddhist, so one of my biggest beliefs is, 'Everything changes, don't take it personally.'
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Directing is physically exciting because there's a ticking clock, you're working with people, it's very social, it's very enjoyable.
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As a culture, we are not comfortable with mortality. We do not accept it the way other cultures do. We cling to youth, and we don't want to die. It's like, 'Well, too bad, we do.'
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I try to tell the best story, and the story that has some heart and some genuine terror and some social commentary and some comedy and some romance and some sex and some violence.
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I'm used to American actors who have a movie career thinking television acting is beneath them.
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Somebody asked me, 'Why do people like vampires so much?' This was right after Obama had been elected and I said, 'Because we just spent eight years being sucked dry by one.'
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Beauty is in the strangest places. A piece of garbage floating in the wind. And that beauty exists in America. It exists everywhere. You have to develop an eye for it and be able to see it.
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I don't believe in any particular definition of the afterlife, but I do believe we're spiritual creatures and more than our biology and that energy cannot be destroyed, but can change. I don't know what the afterlife is going to be, but I'm not afraid of it.
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It's hard for me to get interested in stories that ignore death, which is what American marketing culture would like to do: pretend that death doesn't exist, that you can buy immortality; just buy these products, and you'll be forever young and happy.
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I think there's a lot of interesting stuff on TV. I feel much more optimistic about TV than I do about movies. There will always be good movies but I think, for the most part, it's always going to be a huge fight to get those movies made. TV is the best place to be as a writer, I think.
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I certainly believe that what we perceive as humans is just the tip of the iceberg. I don't necessarily believe in vampires or werewolves or that kind of thing, but I believe there is definitely a realm we don't necessarily have access to.
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We live in a time where there's an alienation factor. There's a certain disconnection. We don't have any real sense of community anymore.
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I will say that the environment I grew up in was not the most progressive.
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I'd seen 'Interview with A Vampire' and saw Dracula movies growing up, but I never thought, 'I love vampires; I have to do a show about vampires.'
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I think all writers are armchair psychologists to some degree or another, and I think a character's sexuality is fascinating. It's a great way to really get at the root of their identity, because it's such a personal thing.
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I think vampires are a timeless powerful archetype that can tap into people's psyches.
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I think the world is a place for oddballs and freaks. I'm only interested in oddballs and freaks as characters.
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In my own life, I think legends of supernatural, mythic things are really just a manifestation of the collective unconscious. So I don't really get freaked out. I mean certainly, you read about things people did to each other in the pursuit of some mystical or occult goal, and it's horrifying. But that's just human nature.
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I'm 53. I don't care about high school students. I find them irritating and uninformed.
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Depending on what happens with my directing career, I don't think I'll stop writing, even if I crash and burn in movies and TV. I'll go back to plays. Even if I crash and burn there, I'll write a novel. That's the great thing about writing is that you don't have to wait for people to give you permission to do it.
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Not everything is going to be successful. To strive for that is really naive. You just do the best you can do.
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I need to feel like the work I'm doing is not necessarily important, but meaningful, at least to me, because otherwise it just becomes a day job. It just becomes factory work and I get really frustrated.
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And as I stumbled onto Eastern philosophy and Buddhism, it was the first time I had ever read any sort of philosophy that really made a tremendous amount of sense. What I liked that was missing from my experience of Christianity growing up was a sort of acceptance, a sort of being OK with being imperfect and not focusing on the sin.
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I'm from the South, so while I personally find it impossible to live there, I still have a fondness for it as a geographical region.