Lee Konitz Quotes
I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double.
Quotes to Explore
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I got a note from my father, who said that Success is wonderful, if you don't inhale. That was his own aphorism, and I think it's the very best thing he could have said to me or anyone else on the subject.
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There's nothing unnatural in creation.
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When you promise something, you must fulfill it.
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I'll tell you sort of an odd story: My music taste changed on 9/11. And it's very strange. I actually intellectually find this very curious. But on 9/11, I didn't like how rock music responded. And country music collectively, the way they responded, it resonated with me.
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Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
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Since there are only so many ways to kill a person, a good portion of homicides look pretty much alike.
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When you do music concerts at Taj Mahal and the Acropolis, you have to be careful about your performance being appropriate with the place that surrounds you. It has to be appropriate to the culture - it should fit the building behind you, the environment you are playing it in and the culture of that place.
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The name of the Redskins will remain the Redskins.
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Do not be bullied out of your common sense by the specialist; two to one, he is a pedant.
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I want women to have more access to quality care, and the access to healthcare for women is not through Planned Parenthood; it is through community health centers across the state.
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I have a very rich and wonderful personal life, and at its core are my sons.
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In the country the darkness of night is friendly and familiar, but in a city, with its blaze of lights, it is unnatural, hostile and menacing. It is like a monstrous vulture that hovers, biding its time.
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It's grueling never knowing if the audience is going to think you're funny. It's soul-destroying when they don't laugh.
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Fools are more to be feared than the wicked.
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People often ask me, was it hard to play this person or that person? Well, no, not really. Acting is what I do. It's my job.
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Coffee makes me go crazy.
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I consider Apple to be very closed. Let's say you have a book business, and you are charging 5 to 7 percent gross margins; you can't exist in an Apple world because they want 30 percent, and they don't care that you only have 7 percent to play with.
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I suppose being quite young and being thrust quite dramatically into a large public arena skewered my vision of what it means to live and be a part of something.
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If I could work with Joan Van Ark every day for the rest of my life I would.
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It's kind of the yin and yang that fascinate me. That for all the evil men do, there are also people who work obnoxiously long hours and sacrifice their personal lives because it is a calling - if they don't keep our streets safe, if they aren't there to advocate for and save beaten women and children and murder victims, who will?
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The Universe wants to play. Those who refuse out of dry spiritual greed & choose pure contemplation forfeit their humanity - those who refuse out of dull anguish, those who hesitate, lose their chance at divinity - those who mold themselves blind masks of Ideas & thrash around seeking some proof of their own solidity end by seeing out of dead men's eyes.
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People who live in a glass house have to answer the door.
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When a great artist gets my attention, I pursue it. If I don't, someone else will, you know what I'm saying?
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I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double.
