Lee Konitz Quotes
I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double.
Quotes to Explore
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Since 9/11, there has been a huge leap in people wanting to get personally involved in public service and international affairs.
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I got a note from my father, who said that Success is wonderful, if you don't inhale. That was his own aphorism, and I think it's the very best thing he could have said to me or anyone else on the subject.
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There's nothing unnatural in creation.
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When you promise something, you must fulfill it.
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I'll tell you sort of an odd story: My music taste changed on 9/11. And it's very strange. I actually intellectually find this very curious. But on 9/11, I didn't like how rock music responded. And country music collectively, the way they responded, it resonated with me.
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Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
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Since there are only so many ways to kill a person, a good portion of homicides look pretty much alike.
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When you do music concerts at Taj Mahal and the Acropolis, you have to be careful about your performance being appropriate with the place that surrounds you. It has to be appropriate to the culture - it should fit the building behind you, the environment you are playing it in and the culture of that place.
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I love listening to pop radio.
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The name of the Redskins will remain the Redskins.
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Do not be bullied out of your common sense by the specialist; two to one, he is a pedant.
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I want women to have more access to quality care, and the access to healthcare for women is not through Planned Parenthood; it is through community health centers across the state.
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I have a very rich and wonderful personal life, and at its core are my sons.
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In the country the darkness of night is friendly and familiar, but in a city, with its blaze of lights, it is unnatural, hostile and menacing. It is like a monstrous vulture that hovers, biding its time.
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I don't like the 'must', the 'always', and the 'never' words. I don't like 'no' either.
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It's grueling never knowing if the audience is going to think you're funny. It's soul-destroying when they don't laugh.
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I get to meet different directors and different people.
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Fools are more to be feared than the wicked.
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I drive myself to and from work. I love the privacy.
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I believe it doesn't really matter where you work as long as you work. Keep sharpening your teeth.
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I don't ever want to work on something unless I feel really passionate about it and know I can give everything to it; otherwise it's not truthful and I hate that.
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A company's logo can be a visual ambassador, one that goes on everything from business cards to delivery trucks. When used effectively, it can be the window into the soul of a brand.
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I was a bartender in New York and I overheard this girl saying she made $3000 doing a commercial. A kid at work told me, 'Hey, I know this director and he'd really like you!'. So I walked into this guy's office and was like 'I was thinking maybe I could make $3000' and he hired me for commercials, short films, like 15 jobs in a row.
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I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double.
