Keanu Reeves Quotes
- All Quotes
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Sure I believe in God and the Devil, but they don't have to have pitchforks and a long white beard.
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Hallelujah! Amen! Christianity is so inherent in western story-telling, you can't really get around it. But it wasn't something that drew me to it more or less.
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But I think we're also just talking about the literacy of the audience. The visual literacy of the audience. They've seen so many images now, especially here in the States. There's so much to look at, to watch. So the visual storytelling literacy is harder to impress.
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There's a film there in competition [of Sundance Film Festival] called To The Bone. It's directed by Marti Noxon. I have a supporting role in it. It got really well received. It's a really great film.
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But, you know, it's still a drag to get your picture taken when you're eating a sandwich. It's a downer.
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Performing an exorcism was like changing your oil. It's a drag, but necessary.
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You have to change your life if you’re not happy, and wake up if things aren’t going the way you want.
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It carried quite a wallop. I have all the classic symptoms. Reflection. Where am I now? Where have I come from? What's important? Dealing with the moment of a different kind of feeling for mortality. Shifting of the body. Contextualizing or reevaluating behaviors and values. All those kinds of things.
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I am not handsome or sexy. Of course, it's not like I am hopeless.
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The blues have always had some of the best times, best feelings I’ve ever had.
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The anti-hero or hero usually has a journey or quest so they are interesting as you find out what's going to happen, what they are looking for. What are they trying to do? Sometimes what they do is heroic or comes with a price or sacrifice or maybe the way they do things isn't so great and that's when they become anti-heroes. But the journey of an anti-hero combined with a good story done well is always worthwhile.
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I'm not a photographer, so I didn't get into F-stops or ND filters or background, foreground, cross-light, all that stuff. But I was interested in the camera and the lenses. That's the world that I'm moving in, in terms of acting and giving a performance.
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Sometimes when you make a film you can go away for three months and then come back and live your life. But this struck a much deeper chord. I don't have the ability yet to speak about it in an objective.
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Mirror that is an archetype of our own time and our own life.
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It's always wonderful to get to know women, with the mystery and the joy and the depth. If you can make a woman laugh, you're seeing the most beautiful thing on God's Earth.
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But I did 'Bill & Ted's Excellent Adventure.' They made a cereal out of it, so once you've had a cereal, it doesn't get much more surreal than that. Surreal cereal.
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I was always interested - I mean, it's kind of part of your job - I was always interested in the camera.
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Basically it starts with four months of training, just basic stretching, kicking and punching. Then you come to the choreography and getting ready to put the dance together.
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If we're talking about the science fiction or action genres, I've always tried when I could to do them in a way that's not just cookie-cutter - that they bring something fresh or original to it, have some kind of ideas to it. I've been fortunate, in some sense, to do those kinds of movies that are unique.
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The serialization through the Internet or through digital portals, means of ways of communicating, and I think that's great.
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I mean, I went to a Catholic boys school for a year, but that was to play hockey. Religion class was quite contentious for me.
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It would be awesome to get him, even for just a cameo.
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You're playing and you think everything is going fine. Then one thing goes wrong. And then another. And another. You try to fight back, but the harder you fight, the deeper you sink. Until you can't move... you can't breathe... because you're in over your head. Like quicksand.
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We are the sum of who we are. We pick certain things at certain moments that influenced us.