- All Quotes
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What sort of girls do i like? - They are all angels.
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When I work on a film, you know, I try to get or inhabit the body of the character -from the vision of the directors or how i think the character should be - so if it's a film like SPEED, you hit the gym, you get to do some, train with SWAT People, hehe, but in general, I'm really focused and dedicated, and then in regular life, I don't go to the gym as often.
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And of course to work with Jack Nicholson and Diane Keaton, and work with a wonderful, beautiful script directed by Nancy Meyers, it was really for me a dream come true.
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Artists are losing the choice to use film. People have a love for it - the grain, how it feels, the texture.
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I always felt a bit alone and isolated from other people...I did a lot of pretending as a child. It was my way of coping with the fact that I didn't feel like I fit in.
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I mean, I went to a Catholic boys school for a year, but that was to play hockey. Religion class was quite contentious for me.
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Violence within the context of policing has a sense of control and power to it, whether it is dominance, getting what you want, or acting out of emotion. At the same time, it is not ultimately satisfying and [you are] trapped in the cycle.
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And it's easy to stay grounded. The ground is very close. And we walk on it every day.
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I don't know any real jiu-jitsu or judo or anything. I do movie kung fu. With that, you can fake a punch, but you can't really fake a judo throw. You can get help from the person who you're throwing because they can kind of launch themselves.
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I guess living without love, without experiencing it or being able to give it is pretty strong punishment.
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I'm a meathead, man. You've got smart people, and you've got dumb people. I just happen to be dumb.
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One of the aspects I like about the film is that there is a kind of emotional, psychological discussion during the storytelling, ... Before taking a drug, go through yourself, experience yourself, all your hopes and fears in your own time. Before the pharmacology, do the psychology.
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I like meeting directors. It can be helpful because sometimes when you meet filmmakers you find out if you like them and if they like you, and that is important in terms of considering a role. Choosing a role is all about whether I relate to the role and the story really. That's the criteria.
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In my quiet, I was working something out.
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I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
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Violence is sometimes a very practical solution but I don't think it is the ultimate solution. Owning a gun is not OK for me. But I could argue both sides. Why shouldn't people own them? I'm not fundamentally against citizens having access to a weapon but I think it has complications. It's probably not the wisest idea. Obviously, it has consequences. Personally, I do not own a weapon.
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Anything where there's great enthusiasm, and a place to come share what you think is cool.
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But I think we're also just talking about the literacy of the audience. The visual literacy of the audience. They've seen so many images now, especially here in the States. There's so much to look at, to watch. So the visual storytelling literacy is harder to impress.
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I got the script, read the script, really liked it.
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Money buys you the freedom to live your life the way you want.
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I wish I could say something classy and inspirational, but that just wouldn't be our style. ... Pain heals. Chicks dig scars. Glory... lasts forever.
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It's the journey of self, I guess. You start with this kind of loner, outside guy, which a lot of people can relate to, and he goes out into the world.
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I think the form, the Hollywood movie, I think the quality is obviously always going to be there and I think that the question of taste, there's always a question of taste.
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Basically it starts with four months of training, just basic stretching, kicking and punching. Then you come to the choreography and getting ready to put the dance together.