Keanu Reeves Quotes
- All Quotes
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Mortality is very different when you're 20 to when you're 50.
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Grief changes shape, but it never ends.
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All the dreams I dream are nightmares and those nightmares are the ones I live.
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I've had the opportunity to work with so many great directors. Different styles, as well, like Gus Van Sant. He just does the casting and the milieu and let's you do your thing, quietly. Bertolucci, who can talk to you about your internal world in quite a creative way or just say, 'Well, put your hand over here.'
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I did do some things different [in John Wick 2], but it's different on basically the same things. Because I have the background from the first film, it was really the first time I was doing judo and jiu-jitsu.
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One of the aspects I like about the film is that there is a kind of emotional, psychological discussion during the storytelling, ... Before taking a drug, go through yourself, experience yourself, all your hopes and fears in your own time. Before the pharmacology, do the psychology.
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Violence within the context of policing has a sense of control and power to it, whether it is dominance, getting what you want, or acting out of emotion. At the same time, it is not ultimately satisfying and [you are] trapped in the cycle.
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I don't know if that's philosophy or if that's something else, but to me it [digital filming] has an emotional feeling , that this materiality, the loss of the materiality.
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I got the script, read the script, really liked it.
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Multi-culture is the real culture of the world - the pure race doesn’t exist.
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I got smelled, ... we had a lovely conversation, and I was in.
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I guess living without love, without experiencing it or being able to give it is pretty strong punishment.
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The impact of falling in love for the first time has a special place in our arhitecture.
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Anything where there's great enthusiasm, and a place to come share what you think is cool.
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I'm not a photographer, so I didn't get into F-stops or ND filters or background, foreground, cross-light, all that stuff. But I was interested in the camera and the lenses. That's the world that I'm moving in, in terms of acting and giving a performance.
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There's a lot of great writing, and characters, and stories being told in television nowadays. And much more than there used to be. The opportunities to tell stories, because of the opportunities to show content. And so it's drawing actors from cinema, movie actors, actors to where there's a lot of opportunities to where you can tell stories.
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I'm older and older. With any experience you have, you know more about yourself.
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Basically it starts with four months of training, just basic stretching, kicking and punching. Then you come to the choreography and getting ready to put the dance together.
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I'm a meathead, man. You've got smart people, and you've got dumb people. I just happen to be dumb.
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I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
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Oftentimes, when we think of 3D, we think of things coming out of the screen, but actually, you've got this zero, this negative space, what they call the negative space, which is the scene, what's being filmed in the positive space of the audience. As you can have things come out, you can have all of this depth.
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I just couldn't sit through Harold and Maude one more time, ... Diane has really old tastes for a woman her age.
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Money buys you the freedom to live your life the way you want.
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It's the journey of self, I guess. You start with this kind of loner, outside guy, which a lot of people can relate to, and he goes out into the world.