Keanu Reeves Quotes
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The impact of falling in love for the first time has a special place in our arhitecture.
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Energy can't be created or destroyed, and energy flows. It must be in a direction, with some kind of internal, emotive, spiritual direction. It must have some effect somewhere.
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I've had the opportunity to work with so many great directors. Different styles, as well, like Gus Van Sant. He just does the casting and the milieu and let's you do your thing, quietly. Bertolucci, who can talk to you about your internal world in quite a creative way or just say, 'Well, put your hand over here.'
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There's a lot of great writing, and characters, and stories being told in television nowadays. And much more than there used to be. The opportunities to tell stories, because of the opportunities to show content. And so it's drawing actors from cinema, movie actors, actors to where there's a lot of opportunities to where you can tell stories.
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I got smelled, ... we had a lovely conversation, and I was in.
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I just felt that if I went into Speed 2, I just... wouldn't have come up out of the water.
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Violence within the context of policing has a sense of control and power to it, whether it is dominance, getting what you want, or acting out of emotion. At the same time, it is not ultimately satisfying and [you are] trapped in the cycle.
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I wish I could say something classy and inspirational, but that just wouldn't be our style. ... Pain heals. Chicks dig scars. Glory... lasts forever.
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I want to make a good, solid kung fu movie.
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Art is about trying to find the good in people, and making the world a more compassionate place.
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I like meeting directors. It can be helpful because sometimes when you meet filmmakers you find out if you like them and if they like you, and that is important in terms of considering a role. Choosing a role is all about whether I relate to the role and the story really. That's the criteria.
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I thank the earth and the sky everyday for the opportunities I’ve had.
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I think the form, the Hollywood movie, I think the quality is obviously always going to be there and I think that the question of taste, there's always a question of taste.
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For the gun work, I had more of the basic training from the previous [movie John Wick] and the weapon work I have done in the past. In the second movie [John Wick 2], it really went on into another level. I've done the three gun training, where you worked with the pistol, rifle and shotgun. So that all is in the film.
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The truth is often terrifying, which I think is one of the motifs of Larry and Andrew's cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo's choice to know the truth. It's a beautiful, beautiful story.
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I loved the role [of John Wick]. I loved the action. I loved all the new characters. The world expands into the Underworld. It's getting bigger. Yeah, it was a really great experience [in John Wick 2].
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I've been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.
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Sometimes simple things are the most difficult things to achieve.
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Kissing someone is pretty intimate, actually very intimate, and your heart always kind of skips a beat before you do that.
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When the people you love are gone, you're alone.
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There were no paranormal events that took place on the film that I know of. Thank God!
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I believe in love at first sight. You want that connection, and then you want some problems.
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I had the classic 40 meltdown, I did. It's embarrassing. It was pretty funny. But then I recovered. To me, it was like a second adolescence. Hormonally, my body was changing, my mind was changing, and so my relationship to myself and the world around me came to this assault of finiteness.
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I hope I don't become just an animation [with a digital film].