Kali Uchis (Karly-Marina Loaiza) Quotes
Quotes to Explore
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The Sundance Institute has been vital to the film communities of Latin America.
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Age for me is just a number.
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I am often critical of Israel's policies when in the country, but then feel defensive of them when overseas.
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Generally a chef's book is like a calling card or a portfolio to display their personal work.
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I like to be underdressed rather than overdressed. For an event or a premiere, it's fun to dress up more - then I like to experiment.
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Confidence is key. Sometimes, you need to look like you're confident even when you're not.
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He that strives to touch the starts, oft stumbles at a straw.
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I just wanted to rollerblade at Union Square.
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No man may make another free.
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In Maryland, we have the unfortunate distinction of being the most gerrymandered state in the entire nation.
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I don't have cable. I just never watched a lot of TV.
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My own idea is that these things are as piffle before the wind.
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In Uzbekistan, hundreds of protesters were recently killed under the corrupt regime of President Karimov in what human rights groups are calling a massacre.
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The cultural expectation should be if there's infidelity, the marriage is more important than fidelity.
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We are living in 1937, and our universities, I suggest, are not half-way out of the fifteenth century. We have made hardly any changes in our conception of university organization, education, graduation, for a century - for several centuries.
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Emmitt Smith is a great running back. One of the things I like about him along with Edgerrin James is that neither one of them 'show out' when they run a touchdown.
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Brands who come to China, often they just care about price - so they actually drive the suppliers to cut corners on environmental standards to win a contract.
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In sailing, I single-hand, and I want to do the Horn. The Horn is the maximum expression of sailing, the way the Iditarod is the maximum expression of running dogs. It's not to write about it; it's to experience the maximum thing.
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I have a lot of friends and fans in Orlando, and I'd love to see them again.
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People talk about perfect timing, but I think everything is perfect in its moment; you just want to capture that.
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A work survives its readers; after a hundred or two hundred years, it is read by new readers who impose on it new modes of reading and interpretation. The work survives because of these interpretations, which are, in fact, resurrections: without them, there would be no work.
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If you focus on the actions of others and allow them to constantly upset you, then you are handing your peace over to them and giving away your power.
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I can only be inspired if I'm working with people that I really respect.
