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I'm always aware of the camera and it feels like that's the audience.
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If you judge the character, you cant play it.
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Do you know that moment when you paint a landscape as a child and, when you’re maybe under seven or something, the sky is just a blue stripe across the top of the paper? And then there’s that somewhat disappointing moment when the teacher tells you that the sky actually comes down in amongst all the branches. And it’s like life changes at that moment and becomes much more complicated and a little bit more boring, as it’s rather tedious to fill in the branches…
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My parents certainly didn't have anything to do with the theater. I'm some kind of accident.
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From my experience, I think that every actor has to make sure that they're in charge of their own career somehow or other.
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My idea of a real treat is Magic Mountain without standing in line.
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I always feel that when I come to Edinburgh, in many ways I am coming home.
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I suppose with any good writing and interesting characters, you can have that awfully overused word: a journey.
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Certainly as actors, and maybe as directors, you've got to hang on to something childlike. You've got to know what play is. I haven't worked with Mike Leigh, but I know him very well and there's something open in his eyes about what's in front of him. And the same is true of Alfonso in a Mexican, mad way. There's an enthusiastic response to something. Neil Jordan, the same, when he gets excited . You just want to know there's a human being in there.
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With the best intentions, the job of acting can become a display of accumulated bad habits, trapped instincts and blocked energies. Working with the Alexander Technique has given me sightings of another way... Mind and body, work and life together. Real imaginative freedom...
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I do take my work seriously and the way to do that is not to take yourself too seriously.
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One longs for a director with a sense of imagination.
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The difference between being an actor and a director is simple. The director has to hide his panic; the actor doesn't.
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You know, London is so sprawling, and you can sometimes forget that anybody else is on a stage anywhere else.
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Unless we tell stories about ourselves, which is all that theater is, we're in deep trouble.
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Originally, theater was my life. It was what I assumed I'd spend my working life doing - if I was lucky. Then along came movies.
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Every so often you read a play and a character just speaks to you - almost seems to speak through you, in fact.
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I don't think it's right that everybody knows everything about me.