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I've never been able to plan my life. I just lurch from indecision to indecision.
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A wounding tongue. I'm working on it. Perhaps its the Celt in me.
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Actors are actually very supportive of each other.
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I never expected to have any kind of film career, to be honest. It was all a bit of a surprise. But I was in a big hit play on Broadway. America, as many people will say, says yes more often than we do. And so I was suddenly surrounded by people saying yes. But I was aware that was 'cause of what I was in. It had a big impact.
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I like it when stories are left open.
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I approach every part I'm asked to do and decide to do from exactly the same angle: who is this person, what does he want, how does he attempt to get it, and what happens to him when he doesn't get it, or if he does?
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I am the character you are not supposed to like.
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If you spend any time in Los Angeles, there's only one topic of conversation.
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I have this feeling that if I could sort out what's on my dining room table, everything would fall into place.
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On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.
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Film has to be reflecting the world that we live in, and that's all you want to be a part of. Actors inhabit the same planet as everyone else. It's a weird thing that happens when you're an actor because people hold you up because you somehow embody in parts groups of people or people's hopes or something.
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Somebody with Debbie Reynolds' features doesn't get cast as the Wicked Witch.
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I don't play villains, I play very interesting people.
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I'm very aware that when one is acting in the theater, you do become kind of animal about it. And you're reliant on instincts rather than tact a lot of the time.
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I'm always aware of the camera and it feels like that's the audience.
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I have just returned from the dubbing studio where I spoke into a microphone as Severus Snape for absolutely the last time.
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Do you know that moment when you paint a landscape as a child and, when you’re maybe under seven or something, the sky is just a blue stripe across the top of the paper? And then there’s that somewhat disappointing moment when the teacher tells you that the sky actually comes down in amongst all the branches. And it’s like life changes at that moment and becomes much more complicated and a little bit more boring, as it’s rather tedious to fill in the branches…
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A lot of the time I hate the theater. You think, 'I have to climb Mount Everest, again, tonight.' Oh, the theater is a scary place to be.
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Any actor who judges his character is a fool - for every role you play you've got to absorb that character's motives and justifications.
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I always feel that when I come to Edinburgh, in many ways I am coming home.
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The directors you trust the most are the ones, when you ask them a question, they've got the guts to say, 'I don't know.'
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On film you put all your energies into a single glance.
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Certainly as actors, and maybe as directors, you've got to hang on to something childlike. You've got to know what play is. I haven't worked with Mike Leigh, but I know him very well and there's something open in his eyes about what's in front of him. And the same is true of Alfonso in a Mexican, mad way. There's an enthusiastic response to something. Neil Jordan, the same, when he gets excited . You just want to know there's a human being in there.
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We're dead as a species if we don't tell stories, because then we don't know who we are.