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I am the character you are not supposed to like.
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It's a nightmare to sit and watch a film that I'm in. There's a horrible inescapability to it.
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I think every English actor is nervous of a Newcastle accent.
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I have this feeling that if I could sort out what's on my dining room table, everything would fall into place.
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You can lull the paying customers as long as they get slapped.
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On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.
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I've never been able to plan my life. I just lurch from indecision to indecision.
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I approach every part I'm asked to do and decide to do from exactly the same angle: who is this person, what does he want, how does he attempt to get it, and what happens to him when he doesn't get it, or if he does?
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If you spend any time in Los Angeles, there's only one topic of conversation.
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Somebody with Debbie Reynolds' features doesn't get cast as the Wicked Witch.
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Actors are actually very supportive of each other.
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Any actor who judges his character is a fool - for every role you play you've got to absorb that character's motives and justifications.
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I like it when stories are left open.
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I don't play villains, I play very interesting people.
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We're dead as a species if we don't tell stories, because then we don't know who we are.
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I'm a lot less serious than people think.
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I have just returned from the dubbing studio where I spoke into a microphone as Severus Snape for absolutely the last time.
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The directors you trust the most are the ones, when you ask them a question, they've got the guts to say, 'I don't know.'
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When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.
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A lot of the time I hate the theater. You think, 'I have to climb Mount Everest, again, tonight.' Oh, the theater is a scary place to be.
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I'm very aware that when one is acting in the theater, you do become kind of animal about it. And you're reliant on instincts rather than tact a lot of the time.
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Who I am gets in the way of people looking innocently at the parts I play.
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On film you put all your energies into a single glance.
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If people want to know who I am, it is all in the work.