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I think there should be laughs in everything. Sometimes, it's a slammed door, a pie in the face or just a recognition of our frailties.
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Why don't I like you?" "Because you think I'm an asshole, and I'm not really, I'm just British and, well, you're not.
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Older people say, 'Oh I loved you in 'Sense and Sensibility,'' and that's the only film they want to talk about. Equally, there are people who only want to talk about 'Galaxy Quest.' And there's a whole bunch of teenagers who only want to talk about 'Dogma.'
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Maverick is a word which appeals to me more than misfit. Maverick is active, misfit is passive.
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I've learned, having been on a lot of sets, the good news is that by definition you are surrounded by experts. They get fired if they're not - unlike in the theatre!
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England in the '60s and the '70s was everything that history has said; it was phenomenally exciting, musically.
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I'm still living the life where you get home and open the fridge and there's half a pot of yogurt and a half a can of flat Coca-Cola.
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The audience should feel like voyeurs. Their response is absolutely crucial.
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My definition of palatable might be slightly different from yours.
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I do feel more myself in America. I can regress there, and they have roller-coaster parks.
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Those of you who are not aware of my brilliant career as a stand up comic, I'm not aware of it either so we might well wonder what we're doing here.
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The first time that I came to New York to work properly was the mid-'80s, but I was doing eight shows a week. You have no life. Going to a punk rock club - or whatever the music was at that time - would not have been on my agenda.
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I want to swim in both directions at once. Desire success, court failure.
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Three children have become adults since a phone call with Jo Rowling, containing one small clue, persuaded me that there was more to Snape than an unchanging costume, and that even though only three of the books were out at that time, she held the entire massive but delicate narrative in the surest of hands.
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You can act truthfully or you can lie. You can reveal things about yourself or you can hide. Therefore, the audience recognizes something about themselves or they don't -- You hope they don't leave the theatre thinking that was nice...now where's the cab?'
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I think there's some connection between absolute discipline and absolute freedom.
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Acting is mostly about listening. If you just focus in on what the other person is saying, acting takes care of itself to quite a large extent.
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I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.
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All I want to see from an actor is the intensity and accuracy of their listening.
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I'm a quite serious actor who doesn't mind being ridiculously comic.
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I get stage fright and gremlins in my head saying: 'You're going to forget your lines'.
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I can only guess at the pressures of funding an independent theater company in New York, but calling this production 'postponed' does not disguise the fact that it has been canceled. This is censorship born out of fear, and the New York Theatre Workshop, the Royal Court, New York audiences--all of us are the losers.
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There's, like, marks next to an actor's name or something, and boy does that go up and down! Somewhere in there, which always causes my mate Miss Ruby Wax great hilarity, I was offered a biopic of Frank Sinatra. Even I knew that was a bad idea! They'll throw anything at you at certain times. So, you know, to thine own self be true.
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One thing I will say - my job gets harder and harder. The more you understand about what you are capable of, the less the instrument can do it physically. It's an inverse equation, if that's the right phrase. I just slammed those two words together. It sounded right.